Quietly, Bonna Neang Weinstein wept. Her husband, Howard Weinstein, sitting next to her, held her hand, comforting her.

“It reminded me of everything and myself,” she said of a December 15 performance of “Bangsokol: A Requiem for Cambodia” at the Next Wave Festival at the Brooklyn Academy of Music (BAM). The first major symphonic work to remember the deaths of an estimated 1.7 million Cambodians under the rule of the Khmer Rouge regime undid Weinstein, a survivor, who arrived in the U.S. in 1984.

“I could not believe that I lived through that,” she said, her eyes filling with tears.

The production is the first collaboration between composer Him Sophy and Oscar-nominated filmmaker Rithy Panh, who directed and designed the production.

Both artists survived the Khmer Rouge, which by some estimates killed 90 percent of Cambodia’s artists.

The two are in the forefront of Cambodia’s cultural renaissance, a movement to revive and preserve the ancient arts that were nearly excised, while educating new generations about their cultural heritage. Because of the Khmer Rouge genocide from 1975-1979, half of Cambodia’s population is younger than 25.

The production presented in New York is also aimed at the Cambodian diaspora. It has played on tour in Australia, where the Sydney Morning Herald described it as “light after utter darkness, a promise of resurgence…” and, after sold-out performances in Boston, it is headed to the Philharmonie de Paris next year before opening in Cambodia in 2019, the 40th anniversary of the end of the Khmer Rouge era.

Named after ceremony

“Bangsokol” is named after a ceremony performed at Cambodian funerals. A bangsokol is both the white cloth placed over the body of the deceased and the act of its removal, which signified the passage into the next life, where the spirits of the dead find rest. Bangsokol is also remembering the dead at a watt, the Buddhist temple, with prayer and offerings.

Each audience member found a bangsokol draped across their seat with a note: “We invite you to place this shroud around your shoulders for the duration of the performance.”

“Bangsokol” weaves Khmer traditional music enhanced by a Western orchestra and a Taiwanese chorus performing the libretto by Trent Walker.

Throughout the one-hour production, archival footage — the faces of Cambodian refugees and Khmer Rouge victims, black-clad Cambodians working in fields — flickered across three flat screens hung high behind the performers. Footage of aerial bombings was followed by a clip of then-U.S. President Richard Nixon saying, “Cambodia is the Nixon Doctrine in its purest form.”

“Whatever the film showed, it took me there,” Bonna Neang Weinstein said. “It has been more than 30 years, almost 40 years, but I still dream that I am in the Pol Pot regime.”

For many in the audience, the power of the past showed as quick swipes with damp tissues wiping away silent tears.

“If I’d know this was about the Khmer Rouge, I would not have come,” said a weeping To Voeun, 79, of Alexandria, Virginia. The Khmer Rouge killed her husband, leaving her to raise seven children alone, two of whom remain in Cambodia.

For Bonna Neang Weinstein, the owner of the Khmer Art Gallery in Philadelphia who attended “Bangsokol” with her husband and her three children, the Nixon clip hit home.

She explained: “I cried because I am hurt that the U.S. government bombed my country,” an event that many believe gave rise to the Khmer Rouge.

‘I cannot let it go’

“The U.S. has not admitted anything and not even apologized to us,” said Weinstein, who lost eight family members to the Khmer Rouge. “It mentions at the end ‘Let it all go.’ But I cannot let it go because the perpetrators have not acknowledged their guilt and apologized.”

Sophy Him, who composed the rock opera Where Elephants Weep, told VOA Khmer that his requiem does more than commemorate those who died under the Khmer Rouge.

“We remember the deaths, but also wish and encourage people in the world to have hope and love each other,” said Sophy Him, who lost two older brothers to the regime.

“This performance is for all people in the world who have suffered from genocides and wars,” he said. “This performance is also a warning to the world about the impact of war and genocide.”

That warning was not lost on Jonathan Hulland, a senior program officer at the American Jewish World Service in New York City, who told VOA after the performance that by putting on the white shroud, he felt he was part of the performance.

Hulland, who has been to Cambodia four times, most recently in October, appreciated the warning implicit in the performance. 

“I felt some shame and some guilt,” said Hulland, who was born in the United Kingdom and is now an American citizen. “I am an American now, and I do feel like this country has such a responsibility for what happened.”

Joseph Melillo, BAM’s executive producer, said, “BAM plays a very significant role, not only here in New York City, but in this country of introducing to our culture, the work of other cultures.”

Melillo, who has been to Cambodia twice, said he decided to bring “Bangsokol” to BAM because of Phloeun Prim, the executive director of Cambodian Living Arts (CLA), “who has a clear vision of what he wants for his country.”

The performance was commissioned by CLA, a nonprofit group that works to support the revival of traditional art forms.

Mary Read, who serves on the CLA board of directors, said, “Bangsokol” showed “that there is compassion.”

“Art comes to the heart,” said Read, an Australian known internationally for her Sydney fashion boutique and online store. “By healing the heart, you can heal the spirit of the country.”

The performance ends with Chhay Yam, a joy-filled Cambodian dance accompanied by singing. Two Cambodian-American children of the production’s volunteer helpers participated, learning the steps and how to play traditional musical instruments.

Hollywood luminary Angelina Jolie, who holds Cambodian citizenship and directed First They Killed My Father ​with Rithy Panh, recently saw the performance with her children Maddox Jolie-Pitt, whom she adopted as a baby in Cambodia, and Shiloh Jolie-Pitt. They all wore white shirts and black pants, traditional Khmer funeral dress.

Jolie told VOA after the performance, “I think this was a deeply moving performance. I think it is brilliantly done. I think it is very powerful. It put you into a meditation. It’s like an hourlong prayer to pay respect, to remember, and to help us think of Cambodia the past, the ancient past, the more recent past, the present, and take us forward into a more hopeful future.”
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From: MeNeedIt

Americans are traveling in record numbers this season, according to the American Automobile Association’s (AAA) annual estimate, which forecasts more than 107 million will travel by road, rail or air between now and the start of 2018.

Despite higher gas prices, travel volume is expected to be 3.1 percent higher than last year’s holiday season, the association said.

AAA said this season marks the ninth consecutive year of rising year-end holiday travel in the United States. Since 2005, it said, holiday travel has grown by 21.6 million, an increase of 25 percent.

The majority of travelers, 97.4 million, will make their way to their destinations by road, while 6.4 million people are expected to fly to see family and friends or to take holiday vacations. Only 3.6 million are expected to take to trains, buses or cruise ships for the holiday.

Apparently, not all holiday travelers are making family visits.

AAA said, for the second year in a row, the top destinations for holiday travel are Orlando, Florida, and Anaheim, California – the homes of theme parks Walt Disney World and Disneyland.

Sunny destinations also make up the next seven entries on the top 10 destinations: Cancun, Mexico; Hawaii, Jamaica, Dominican Republic and several locations in Florida. The only non-beach destination on the list? No. 10, New York City.

 
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From: MeNeedIt

For millions of Britons, a traditional Christmas Day includes turkey, Brussels sprouts, Christmas pudding, and a special seasonal episode of “Doctor Who.” 

The global success of the venerable sci-fi series means that fans around the world will also tune in Monday to watch Peter Capaldi’s final adventure as the space-hopping Time Lord known as the Doctor. (Americans can see it on BBC America at 9 p.m. Eastern). 

The show has had a dozen Doctors over its 54-year history, and this is one of those bittersweet moments when one lead actor hands over to another. At episode’s end, viewers will see Capaldi transform, through a Time Lord process known as regeneration, into Jodie Whittaker, the first woman to play the part.

First, adventure

Before that comes a rollicking and poignant adventure that moves from the World War I trenches to the South Pole, features mysterious creatures made of glass and (of course) involves a jaunt in the Tardis, a time-and-space machine shaped like an old-fashioned British police phone box. 

The episode loops back into the show’s own history, featuring an appearance by the very first Doctor, a white-haired gent who appeared on TV screens in 1963. He was played by William Hartnell, who died in 1975; David Bradley fills the role here. 

Mark Gatiss, a regular writer for the show who guest stars in the episode as a British Army officer marooned in time, said there was “a valedictory feel” on the set of the finale.

“The sense of eras ending all over the place was very profound but at the same time it was actually a very happy experience,” Gatiss told The Associated Press in an interview.

Gatiss has loved “Doctor Who” since childhood and has written for it since 2005.​

BBC hit

He’s better placed than almost anyone to explain the enduring allure of a show that survived early years of wobbly production values and a 16-year absence from screens between 1989 and 2005 to become a childhood touchstone, an emblem of British culture, and a money-making export for the BBC.

Partly, he says, it’s due to the Doctor, an eccentric and “slightly off-kilter” hero. Partly it’s “the randomness of the adventures,” which have sent the Doctor to ancient Rome and the Stone Age, distant galaxies and the end of time. 

And partly it’s the show’s “slightly ramshackle Britishness, in the very idea of an amazing space-time machine which looks like a beaten up old box.”

“And somewhere deep down in its absolute essentials, something genuinely magical,” he added.

World-view changing

The episode is also the swansong of Steven Moffat, who has been the show’s executive producer and chief writer since 2009. 

Moffat, who also co-created detective series “Sherlock” with Gatiss, has no doubt about the show’s place in television history. He told audience members at a recent preview screening that “Doctor Who” is “the greatest television show ever made.” 

“People change their view of the world and what they are capable of because of a silly show about a man who travels around in time and space in a police box,” Moffat said.

“Count the scientists, the musicians, the scholars, the writers, the directors, the actors, who became what they are because of this show. Count, as you might say, the hearts that beat a little faster because of ‘Doctor Who.’ I don’t even know what is in second place, but without doubt and by that most important measure ‘Doctor Who’ is the greatest television series ever made.”

​New Doctor, new mood

“Doctor Who” fans have become accustomed to changes of actor, and the shifts in mood that go with each new Doctor. The announcement that Whittaker (best known from detective series “Broadchurch”) would be the next occupant of the Tardis was front-page news in Britain. Many fans were delighted, though some grumbled at the idea of a Time Lady.

Gatiss, currently working with Moffat on a new adaptation of “Dracula,” thinks the naysayers come mostly from that never-satisfied subset of fans “who will definitely watch it 28 times just to make sure they hate it.”

“This is a series about an alien with two hearts who lives in a transcendental phone box, and yet somehow can’t change sex?” he said. “That is not an argument for 2017.”
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From: MeNeedIt

Louisiana officials have chosen a sugar cane farm as the next home for residents of a tiny, shrinking island, a move funded with a 2016 federal grant awarded to help relocate communities fleeing the effects of climate change.

Dozens of Isle de Jean Charles residents are to be relocated about 40 miles (64 kilometers) to the northwest, in Terrebonne Parish, Nola.com|The Times-Picayune and The New Orleans Advocate report.

The state is negotiating to purchase the 515-acre (208-hectare) tract, which is closer to stores, schools and health care — and which is less flood-prone than the island, which has been battered by hurricanes and tropical storms.

Louisiana’s Office of Community Development expects to finalize the purchase in the coming weeks.

“Everybody seems to think it’ll be a pretty quick property negotiation,” said Mathew Sanders, the community development office’s resilience program manager.

Construction on the new settlement could begin in late 2018 or early 2019, meaning island residents most likely will have to endure at least one more hurricane season before moving.

Last year, Isle de Jean Charles became the first community in the U.S. to receive federal assistance for a large-scale retreat from the effects of climate change. About $48 million was allotted to purchase land, build homes and move the island’s approximately 80 full-time residents.

Tribe’s area mostly gone

Isle de Jean Charles is home to members of the Biloxi-Chitimacha-Choctaw tribe. It has lost 98 percent of its area since 1955. Causes include erosion, sinking of coastal land, and Mississippi River levees that block replenishing river sediment.

Climate change-triggered sea-level rise is expected eventually to drown the island.

Owned by Acadia Agricultural Holdings, the sugar farm is valued at $19.1 million, but the actual purchase price may be about half that, Sanders said.

Albert Naquin, the tribe’s chief, said he looked at the site two years ago and it was immediately his favorite.

“It’s in the best part of the parish; it’s the highest area,” he said. “I pushed for that one.”

A master plan for the new development being created by the consulting firm CSRS will include not just houses but also community spaces and maybe even features such as crawfish ponds.

“We want to move the people on the island in such a way that the community can sustain itself,” Sanders said. To that end, officials may try to attract some businesses, including retail.
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From: MeNeedIt

NASA astronaut Bruce McCandless, the first person to fly freely and untethered in space, has died. He was 80.

He was famously photographed in 1984 flying with a hefty spacewalker’s jetpack, alone in the cosmic blackness above a blue Earth. He traveled more than 300 feet away from the space shuttle Challenger during the spacewalk. 

“The iconic photo of Bruce soaring effortlessly in space has inspired generations of Americans to believe that there is no limit to the human potential,” Sen. John McCain said in a statement. The Arizona Republican and McCandless were classmates at the U.S. Naval Academy.

NASA’s Johnson Space Center said Friday that McCandless died Thursday in California. No cause of death was given.

McCandless said he wasn’t nervous about the historic spacewalk.

“I was grossly over-trained. I was just anxious to get out there and fly. I felt very comfortable … It got so cold my teeth were chattering and I was shivering, but that was a very minor thing,” he told the Daily Camera in Boulder, Colorado, in 2006. 

During that flight, McCandless and fellow astronaut Robert L. Stewart pioneered the use of NASA’s backpack device that allowed astronauts walking in space to propel themselves from the shuttle. Stewart became the second person to fly untethered two hours after McCandless.

“I’d been told of the quiet vacuum you experience in space, but with three radio links saying, ‘How’s your oxygen holding out?’ ‘Stay away from the engines!’ ‘When’s my turn?’ it wasn’t that peaceful,” McCandless wrote in the Guardian in 2015.

But he also wrote: ”It was a wonderful feeling, a mix of personal elation and professional pride: it had taken many years to get to that point.”

McCandless was later part of the 1990 shuttle crew that delivered the Hubble Space Telescope to orbit. He also served as the Mission Control capsule communicator in Houston as Neil Armstrong and Buzz Aldrin walked on the moon in 1969.

During his spacewalk, “My wife was at mission control, and there was quite a bit of apprehension,” McCandless wrote. “I wanted to say something similar to Neil when he landed on the moon, so I said, ‘It may have been a small step for Neil, but it’s a heck of a big leap for me.’ That loosened the tension a bit.”

Born in Boston, McCandless graduated from Woodrow Wilson Senior High School in Long Beach, California. He graduated from the Naval Academy and earned master’s degrees in electrical engineering and business administration. 

He was a naval aviator who participated in the Cuban blockade in the 1962 missile crisis. McCandless was selected for astronaut training during the Gemini program, and he was a backup pilot for the first manned Skylab mission in 1973. After leaving NASA, McCandless worked for Lockheed Martin Space Systems in Colorado.

“Bruce served his country with humility and dignity, and encouraged all of us to reach new heights,” McCain said.

Survivors include his wife, Ellen Shields McCandless of Conifer, Colorado, two children and two grandchildren.
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From: MeNeedIt

A U.S. jury has convicted two former soccer officials from South America on charges of corruption, the first trial verdicts in a U.S. investigation into world soccer’s governing body, FIFA. 

The federal jury in New York deliberated for a week before Friday’s verdict and will continue deliberations next week for a third soccer official. 

The jurors convicted Jose Maria Marin, former head of Brazil’s soccer confederation, and Juan Angel Napout, former head of Paraguayan soccer, of racketeering conspiracy, the top charge against the men. Marin was convicted on six of seven counts and Napout on three out of five.

Deliberations in the case of the former president of Peru’s soccer federation, Manuel Burga, who faces one count of racketeering conspiracy, will continue.

The three soccer officials were arrested in 2015, accused of agreeing to take millions of dollars in bribes to bestow television and marketing rights to soccer matches.

U.S. prosecutors have indicted 42 officials and marketing executives as part of the investigation that shook up FIFA. At least 24 people have pleaded guilty.

The U.S. government’s main witness, a former marketing executive from Argentina, Alejandro Burzaco, testified that he and his company arranged to pay $160 million in bribes over the course of several years.

The defense argued that the former soccer officials had been framed by Burzaco and other witnesses who were trying to get leniency in their own cases.
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From: MeNeedIt

One big problem confronts Africa as it tries to predict how its weather patterns will shift in the face of climate change: Almost all the climate models for the continent were created in the United States or Europe.

Now South African climate researcher Francois Engelbrecht has changed that by developing a climate model for Africa, in Africa.

The model aims to “generate reliable projections of future climate change over Africa,” said Engelbrecht, the chief researcher for climate studies, modeling and environmental health at South Africa’s Council for Scientific and Industrial Research.

Those projections include figuring out which areas will get more or less rainfall — “a key to adapting agriculture successfully” — or looking at where African grasslands might give way to thickets as more carbon dioxide in the atmosphere drives the growth of trees.

“We know that climate is changing, risks are changing, including changes in the risk of heat waves, flooding, drought, tropical cyclones, changes in growing seasons [and] rising temperatures,” said Rachel James, a visiting climate researcher at the University of Cape Town.

“People everywhere will need to adapt to these changing conditions in the years and decades to come,” she told Reuters.

“The problem is that we don’t know exactly what will happen in any one location. It’s challenging to predict which areas might get more rainfall and which might get less.”

More detail

The new African-built climate model aims to generate much more detailed and place-specific projections, to give decision makers the information they need to prepare for coming changes.

It responds, in part, to the Intergovernmental Panel on Climate Change noting in 2014 that Africa was the only region of the world in which climate forecasts had not improved in recent years.

Developed in collaboration with Australia, the model will look at things such as how El Nino patterns are likely to affect Africa in the future and how African monsoons may shift, Engelbrecht said.

Africa has a lot of expertise on its ecosystems, regional oceans, and climate, but this knowledge has not been built into models up to now, he said.

Models developed by northern hemisphere countries have tended to focus more on areas of northern interest, such as the Arctic, where sea ice is fast disappearing, he said.

And global models that include Africa generally are not specific enough to be helpful on the ground in a particular country or region, said Neville Sweijd, head of the South Africa-based Alliance for Collaboration on Climate and Earth Systems Science.

“All models are not complete representations of reality and have to be tested for sensitivity to various features and phenomena,” he said, including the direction of winds.

James noted that “climates in Africa are particularly challenging to model” because of the influence of local events such as key thunderstorms, “which occur on finer scales than the models can resolve,” she said.

A ‘game changer’

Jean-Pierre Roux, who manages the Future Climate for Africa project, an effort, backed by UK aid, to improve climate information and resilience on the continent, said he worries that weak climate information and weather information services that do not meet the needs of vulnerable communities could hurt millions in Africa.

Having African scientists involved in climate information efforts is important as African researchers naturally have more expertise on local and regional weather and climate in many cases, he said.

Also, “it gives a better chance for African priorities to shape the research agenda and leaves behind a legacy in terms of improved African capacity to conduct research,” he said.

African climate scientists say they are also worried that the continent does not yet have enough climate scientists to collaborate with other experts globally on models and other work.

“A lot of model application work is being done in Africa, but not by Africans or at African institutions. That disempowers African intellectual development in this field,” Sweijd told Reuters.

Engelbrecht sees the development of his model as a chance to build skills in everything from climate science to high-performance computing.

“It is a game changer in enhancing our human capacity in the climate and earth sciences,” he said.
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From: MeNeedIt

Nestle, which sells Arrowhead bottled water, may have to stop taking millions of gallons of water from Southern California’s San Bernardino National Forest because state regulators concluded it lacks valid permits.

The State Water Resources Control Board notified the company on Wednesday that an investigation concluded it doesn’t have proper rights to pipe about three-quarters of the water it currently withdraws for bottling.

“A significant portion of the water currently diverted by Nestle appears to be diverted without a valid basis of right,” the report concluded.

Nestle Waters North America was urged to cut back its water withdrawals unless it can show it has valid water rights to its current sources or to additional groundwater.

The company, a division of the Swiss food giant, also was given 60 days to submit an interim compliance plan.

“We are disappointed by the fact that we have just received a copy of the report from the State Water Resources Control Board and that others appear to have received it much sooner,” Nestle said in a statement Thursday. “Once we have had an opportunity to review the report thoroughly, we will be in a position to respond.”

The move was applauded by activists who have fought to turn off Nestle’s tap in the forest.

Amanda Frye, who filed one of the complaints that prompted the investigation, said she was pleased with the result although she hadn’t read the entire report.

“I feel like it’s a victory,” Frye told the Desert Sun of Palm Springs. “I’m happy that the State Water Resources Control Board did pursue it and look into it. I feel that they’re protecting the people of California.”

Nestle took about 32 million gallons of water from wells and water collection tunnels in the forest last year. A long water board investigation concluded that it only had the right to withdraw 26 acre-feet per year, or about 8.5 million gallons.

Nestle has contended that it inherited rights dating back more than a century to collect water from the forest northeast of Los Angeles. It uses the water in its Arrowhead Mountain Spring Water.

Opponents of the water withdrawal have long sought to turn off Nestle’s tap, arguing that it lacked proper permits and that the water usage could harm the local environment and wildlife, particularly in the midst of California’s drought.

In 2015, the U.S. Forest Service was sued by environmental and public interest groups who allege the Swiss-based company was being allowed to operate its Strawberry Canyon pipeline on a permit that expired in 1988. However, the court ruled that the company could continue water operations while its application to renew the permit was pending.
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From: MeNeedIt

Three opera singers and a classical musician say that world-renowned conductor Charles Dutoit sexually assaulted them — physically restraining them, forcing his body against theirs, sometimes thrusting his tongue into their mouths, and in one case, sticking one of their hands down his pants.

In separate interviews with The Associated Press, the accusers provided detailed accounts of incidents they say occurred between 1985 and 2010 in a moving car, the two-time Grammy winner’s hotel suite, his dressing room, an elevator and the darkness of backstage.

The women accuse the 81-year-old artistic director and principal conductor of London’s Royal Philharmonic Orchestra of sexual misconduct on the sidelines of rehearsals and performances in five cities — Chicago, Los Angeles, Minneapolis, Philadelphia and Saratoga Springs, New York.

“He threw me against the wall, shoved my hand down his pants and shoved his tongue down my throat,” retired mezzo-soprano Paula Rasmussen recounted of an incident she said occurred in his dressing room at the LA Opera in September 1991. She refused to ever be alone with the Swiss-born conductor again, she said.

Soprano Sylvia McNair, herself a two-time Grammy winner, said Dutoit “tried to have his way” with her at a hotel after a rehearsal with the Minnesota Orchestra in 1985.

“As soon as it was just the two of us in the elevator, Charles Dutoit pushed me back against the elevator wall and pressed his knee way up between my legs and pressed himself all over me,” she said.

The other two accusers did not want to be identified, saying they feared speaking up because the power the famous maestro wields could lead to them being blacklisted from the industry. 

Dutoit, who holds the titles of conductor laureate of the Philadelphia Orchestra and conductor emeritus of the NHK Symphony Orchestra in Tokyo, did not respond to multiple attempts to reach him through the Royal Philharmonic Orchestra and his office in Montreal. The Royal Philharmonic said Dutoit was currently on vacation, but that it had forwarded the AP’s emailed requests for comment directly to him. The AP also reached out to Dutoit’s office with several phone calls and emails. 

Citing the “extremely troubling” allegations contained in the AP story, the Boston Symphony Orchestra said later Thursday Dutoit would “no longer appear as a guest conductor.”

“The Boston Symphony Orchestra is committed to a zero tolerance policy toward anyone who exhibits inappropriate behavior in the workplace, and behavior that runs counter to these core values will always be met with serious consequences,” the statement said.

Dutoit, a guest conductor there since 1981, had been scheduled to conduct at Boston’s Symphony Hall in February and in August during the orchestra’s summer season in Tanglewood.

In a long, distinguished career, he also has led highly regarded orchestras in Paris and Montreal, and traveled the globe as a guest conductor. He is scheduled to conduct the New York Philharmonic next month in a four-day program honoring Ravel. 

All four accusers’ stories are similar, and the AP spoke with their colleagues and friends, who confirmed that each of the women shared details of their experiences at the time.

One of the women who asked not to be identified said Dutoit attacked her three times in 2006 and once in 2010, grabbing her breasts, pinning her wrists against his dressing room wall and telling her that they would make better music if she willingly kissed him.

All four women said Dutoit either lured them to a private place to discuss or practice music, or simply seized a moment alone to make his move. The women all said they resisted him and escaped. They said they never filed formal complaints because they were young and Dutoit was the maestro. 

In interviews with the AP, more than a dozen singers, musicians and stage staff spoke of a culture of sexual misconduct in the classical music world that they said has long been implicitly tolerated by people in positions of authority.

Dutoit’s accusers said they felt inspired by all the women speaking out about sexual misconduct by powerful men in Hollywood, politics, the media and other industries, and ultimately felt empowered to break their silence after the Metropolitan Opera suspended conductor James Levine earlier this month when misconduct accusations surfaced.

Cornered in an elevator

“I never went to the police. I never went to company management. Like everyone else, I looked the other way,” said Sylvia McNair, now 61. “But it is time now to speak out.”

McNair was 28 in March 1985 when she worked with Dutoit at the Minnesota Orchestra where he was conducting and she was singing the Bach B Minor Mass.

After a rehearsal, McNair said she returned to her hotel with Dutoit and other performers and that the elevator gradually emptied until only she and the conductor remained. Dutoit immediately jumped her, she said, forcefully restraining her against the elevator wall and pushing his body into hers. 

“I managed to shove him off and right at that moment, the elevator door opened. I remember saying, ‘Stop it!’ And I made a dash for it,” she said. 

When she got to her room, she said she almost immediately called another singer who had been in the elevator with them. 

The AP spoke to the colleague, who confirmed receiving the call, saying “she was frantic because Dutoit had pressed her against the side of the elevator, pressing into her with his whole body.” He said he asked McNair the next day if Dutoit had apologized and she said he had not, and instead acted as if nothing had happened. The colleague asked not to be identified because he feared speaking out could harm his career.

McNair, who went on to perform with many of the world’s major orchestras and opera companies, said she does not feel traumatized by Dutoit’s behavior 32 years ago. “But what he did was wrong,” she said.  

Summoned to his dressing room

In September 1991, when she was 26 and trying to build her career, Paula Rasmussen landed a principal role with the LA Opera in “Les Troyens.” Dutoit showed special interest in her at rehearsals, she said, prompting a veteran soprano, now deceased, to warn her to watch out for him.

Rasmussen had dealt with inappropriate behavior before, she said, but her inner alarm bells did not sound when Dutoit summoned her. She assumed the maestro wanted to talk business.

“He called me into his dressing room right before a dress rehearsal. Over the loudspeaker: ‘Ms. Rasmussen to Mr. Dutoit’s dressing room,’” she said. 

Rasmussen, 52, now an attorney in the San Francisco area, said she recalls feeling momentarily paralyzed after Dutoit grabbed her hand and stuck it down his pants and forced his tongue into her mouth. Then came a knock on the door. The conductor opened it, she said, “and I went past him, and ran up to my dressing room.”

It was the only time she ever went to Dutoit’s dressing room unaccompanied, she said.

“He called me back repeatedly that night, and up until we opened,” Rasmussen said. “Every time he wanted to give me notes on the performance after that, somebody would go with me.”

Baritone John Atkins, who was part of the production, said he remembers Rasmussen being reticent upon getting called to Dutoit’s dressing room after the incident. “I volunteered myself to stand at the dressing room door, as a witness, for lack of a better term, to be there while she went to get notes,” he said. 

Atkins said he still remembers the cold stare from Dutoit. “He looked at me like, ‘Why are you standing here?’ And I looked at him like, ‘You know why.’”

The AP also spoke with a member of the production’s staging staff who said it was known backstage that Dutoit had approached Rasmussen “in an unwanted manner” and that the singer had been visibly upset that night. The staffer asked not to be identified for fear of losing work in the industry. 

On a subsequent occasion, Rasmussen said the conductor passed her in a hallway and whispered, “You kissed me back,” which she assumed meant to suggest that she had invited his behavior.

Rasmussen said she is breaking her years of silence “because people are listening — and nobody would listen before.”

‘Grabbed’ in a car and backstage

A third singer told the AP that Dutoit assaulted her on four different occasions when she was in her 30s during performances with the Philadelphia Orchestra — first in 2006 at the Saratoga Performing Arts Center in upstate New York and then in 2010 in Philadelphia. 

She didn’t see it coming the first time, the soprano said, considering it “the chance of a lifetime” to work with the famed conductor as a featured soloist. When Dutoit offered her a ride to their hotel in Saratoga Springs after the first rehearsal, she happily accepted, she said.

“We get in his car, he starts driving down the road and he literally starts grabbing for whatever he can get,” including her breasts, she said. “For a minute, in my mind I thought, ‘Is he having a stroke?’”

She said she batted his hand away and put her bag between them until he dropped her off at the hotel. 

After the next rehearsal, she said Dutoit called a meeting in his dressing room but that she felt safe because other people were there. At one point, when she looked up from the score, she realized they were alone, however. 

As she walked toward the door, she said, Dutoit pressed her against the wall, restrained her wrists and pushed himself against her, telling her she would relax if she kissed him. He suggested they become friends, she said, and told her she should come to his hotel room. 

The AP spoke with the woman’s voice teacher, who recalled an occasion where the conductor told the soprano he wanted to speak to her. “I physically see her start to shake,” said the teacher, who requested anonymity to protect the soprano’s identity. “She grabbed my hand and said, ‘Don’t leave me alone.’”

A final act of aggression that season came on opening night, the soprano said.

Just before the performance, the soprano said she was standing on the side of the stage in her evening gown when Dutoit approached in his tuxedo. “Toi, toi, toi, maestro,” she said, meaning “good luck.” In response, she said, “He turns around, he inspects me, reaches out, grabs both my breasts and keeps walking” onto the stage. 

The woman said she worked with Dutoit again four years later at the orchestra’s home base in Philadelphia’s Verizon Hall.

When she was instructed to deliver a message to the conductor in his dressing room, she said, “it was almost worse, because I knew what I was walking into.” In a repeat of the 2006 incident, she said he pushed her against the wall, forcing his mouth on hers. 

“I was so angry that I had let it happen again,” she said. “I felt like I was in hell.”

Of Dutoit, she said, “There is nothing wrong with him as a musician, but he has been allowed to operate as a predator off the stage.”

‘Lunch’ in his hotel suite

The fourth accuser was a 24-year-old musician with the Civic Orchestra of Chicago when Dutoit came to town in spring 2006 to guest-conduct the Chicago Symphony Orchestra. 

After a few rehearsals, the musician — who now works with a different orchestra — said Dutoit offered her a seat in his box for a concert. She assumed others were joining them, since a box typically seats a half-dozen people. But they were alone, she said.

As the music played, she said, Dutoit reached for her hand, then tried to grab it repeatedly as she pushed him away. “All the while I kept thinking, ‘How do I handle this? I can’t make him mad. I’ll try to laugh it away.’”

After a few more rehearsals, she said, he suggested they meet for lunch at a restaurant but then changed the venue to his suite at the Four Seasons Hotel. “At the time, I thought I could handle myself,” she said.

But once she arrived at the suite, Dutoit forced himself on her, she recalled. “He was just pushing himself against me, trying to kiss me, grabbing hold of my body, pushing his body on me,” she said. “I absolutely said no, pushed him away, went to the other side of the room.”

He didn’t chase her, she said, but tried to coax her to stay and even invited her to visit his apartment in Paris.

A former member of the orchestra said the woman spoke to him at the time about Dutoit, recalling she felt “utter disgust” at his advances. The man asked not to be identified to protect the musician’s identity.

After he attacked her, the musician said, Dutoit emailed her about a dozen times. She would not show the AP the emails, saying she did not want them published, but read excerpts over the phone.

In one, she said, Dutoit wrote that he was unaware “that an affectionate hug and kiss could have such a negative effect,” adding, “Of course, I forgot you are still a child.”

“You could tell this was business as usual,” the musician told the AP. “Like he knew what he was doing, and didn’t seem put off by the fact that I was saying no.”
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From: MeNeedIt

The U.N. Security Council is expected to vote Friday on another round of targeted sanctions aimed at further restricting North Korea’s crude oil imports, which fuel its illicit weapons programs.

The proposed sanctions come in response to Pyongyang’s November 28 launch of a newly developed intercontinental ballistic missile (ICBM) called a Hwasong-15, which the North Koreans claim is capable of delivering nuclear warheads anywhere in the continental United States. 

It was Pyongyang’s third ICMB test this year and its 20th ballistic missile launch of 2017.

The United States drafted the text and negotiated it with China. It was circulated to the wider council membership on Thursday, and a vote is scheduled Friday at 1 p.m. EST (1800 UTC).

“We hope there will be a consensus and vote — the sooner, the better — and we are on board,” France’s U.N. ambassador, Francois Delattre, told reporters Thursday.

‘A good message’

“We support it wholeheartedly and we hope that it will be unanimous,” Japanese Ambassador Koro Bessho said. “I think it will be sending a good message if we can pass it, and that’s what I think will happen.”

The draft resolution, seen by VOA, seeks to cap crude oil exports to North Korea at current levels, not exceeding 4 million barrels per year. It would allow exemptions only on a case-by-case basis with Security Council approval.

The text also seeks to impose a ban on 90 percent of refined petroleum products exported to North Korea, as well as on all industrial machinery and some transport vehicles.

An earlier round of sanctions this year called on states not to renew work visas for North Korean laborers. The new draft goes a step further, requiring all North Koreans working abroad and their minders to return home within a year. 

Council members have expressed concern that the regime sends its citizens abroad to perform manual labor and then confiscates all or part of their wages to help finance its nuclear and ballistic missile programs. 

Deceptive shipping alleged

Some council members have also noted that North Korea appears to be illegally exporting coal and acquiring prohibited oil through deceptive shipping practices. The proposed text seeks to tighten maritime interdiction and inspection regimes. 

There are also 19 new individuals, most of them in the banking sector, proposed for travel bans and asset freezes, as well as the Army ministry. 

If approved, this will be the third round of targeted sanctions imposed by the Security Council this year in a bid to stop Pyongyang from advancing its illicit weapons programs and bring it to the negotiating table.
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From: MeNeedIt

Papa John’s founder John Schnatter will step down as CEO next month, about two months after he publicly criticized the NFL leadership over national anthem protests by football players — comments for which the company later apologized.

Schnatter will be replaced as chief executive by Chief Operating Officer Steve Ritchie on Jan. 1, the company announced Thursday. Schnatter, who appears in the chain’s commercials and on its pizza boxes, and is the company’s biggest shareholder, remains chairman of the board.

Earlier this year, Schnatter blamed slowing sales growth at Papa John’s — an NFL sponsor and advertiser — on the outcry surrounding players kneeling during the national anthem. Former San Francisco 49ers quarterback Colin Kaepernick had kneeled during the national anthem to protest what he said was police mistreatment of black men, and other players started kneeling as well. 

“The controversy is polarizing the customer, polarizing the country,” Schnatter said during a conference call about the company’s earnings on Nov. 1.

Papa John’s apologized two weeks later, after white supremacists praised Schnatter’s comments. The Louisville, Kentucky-based company distanced itself from the group, saying that it did not want them to buy their pizza.

Ritchie declined to say Thursday if the NFL comments played a role in Schnatter stepping down, only saying that it’s “the right time to make this change.”

Tougher competition

Shares of Papa John’s are down about 13 percent since the day before the NFL comments were made, reducing the value of Schnatter’s stake in the company by nearly $84 million. Schnatter owns about 9.5 million shares of Papa John’s International Inc., and his total stake was valued at more than $560 million on Thursday, according to FactSet. The company’s stock is down 30 percent since the beginning of the year.

Schnatter, 56, founded Papa John’s more than three decades ago, when he turned a broom closet at his father’s bar into a pizza spot. And it has since grown to more than 5,000 locations. Schnatter has also become the face of the company, showing up in TV ads with former football player Peyton Manning. Schnatter stepped away from the CEO role before, in 2005, but returned about three years later.

Ritchie said new ads would come out next year. The company said later Thursday that it had “no plans to remove John from our communications.”

The Papa John’s leadership change comes as the pizza chains that once dominated the fast-food delivery business face tougher competition from hamburger and fried-chicken chains that are expanding their delivery business. McDonald’s Corp., for example, expects to increase delivery from 5,000 of its nearly 14,000 U.S. locations by the end of the year.

New strategy

Ritchie said his focus as CEO will be making it easier for customers to order a Papa John’s pizza from anywhere. That’s a strategy that has worked for Domino’s, which takes orders from tweets, text messages and voice-activated devices, such as Amazon’s Echo. Papa John’s customers can order through Facebook and Apple TV, but Ritchie said he wants the chain to be everywhere customers are. 

“The world is evolving and changing,” he said.

Ritchie, 43, began working at a Papa John’s restaurant 21 years ago, making pizzas and answering phones, the company said. He became a franchise owner in 2006 and owns nine locations. He was named chief operating officer three years ago. Ritchie said plans for him to succeed Schnatter were made after that.
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From: MeNeedIt

Hackers tried to steal 55 million rubles ($940,000) from Russian state bank Globex using the SWIFT international payments messaging system, the bank said Thursday, the latest in a string of attempted cyberheists that use fraudulent wire-transfer requests.

Globex President Valery Ovsyannikov told Reuters that the attempted attack occurred last week, but that “customer funds have not been affected.”

The bank’s disclosure came after SWIFT, whose messaging system is used to transfer trillions of dollars each day, warned late last month that the threat of digital heists was on the rise as hackers use increasingly sophisticated tools and techniques to launch new attacks.

SWIFT said in late November that hackers continued to target the SWIFT bank messaging system, though security controls instituted after last year’s $81 million heist at Bangladesh’s central bank have helped thwart many of those attempts.

Sources familiar with last week’s attack on Globex said the bank had spotted the attack and been able to prevent the cybercriminals from stealing all the funds they had sought, according to a report in the Kommersant daily. The hackers withdrew only about $100,000, the report said.

Globex is a part of the state development bank VEB. VEB plans to transfer Globex to the state property management agency, sources familiar with the talks told Reuters this week.

SWIFT representatives declined to discuss the Globex case.

“We take cybersecurity very seriously, and we investigate all threats very seriously, taking all appropriate actions to mitigate any risks and protect our services,” the group said in a statement emailed to Reuters. “There is no evidence to suggest that there has been any unauthorized access to SWIFT’s network or messaging services.”

Brussels-based SWIFT has issued a string of warnings urging banks to bolster security in the wake of the February 2016 cyberheist at the Bangladesh bank, which targeted central bank computers used to move funds through the messaging system.

While SWIFT has declined to disclose the number of attacks or identify any victims, details of some cases have become public, including attacks on Taiwan’s Far Eastern International Bank and Nepal’s NIC Asia Bank.

Shane Shook, a cyberexpert who has helped investigate some hacks targeting the SWIFT messaging network, said that at least seven distinct groups have been launching such attacks for at least five years, though most go unreported.
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From: MeNeedIt