Fiat Chrysler Proposes Merger With Renault

Fiat Chrysler proposed a merger Monday with Renault, a union that would create the world’s third biggest automaker.

The merger, if it happens, would vault the new company, with annual sales of 8.7 million vehicles, into a position ahead of General Motors and behind only Volkswagen and Toyota, both of which sell about 10.6 million.

The merger could give the combined companies a better chance in the battle among auto manufacturers to build new electric and autonomous vehicles.

Investors in both companies showed their initial approval of the announcement, with Renault’s shares jumping 15 percent in afternoon trading in Paris and Fiat Chrysler stock up more than 10 percent in Milan. The proposal calls for shareholders to split ownership of the new company.

Fiat Chrysler said the deal would save the combined companies $5.6 billion annually with shared payments for research, purchasing and other expenses. The deal does not call for closure of any manufacturing plants but the companies did not say whether any employees would lose their jobs.

The deal would give Fiat access to Renault’s electric car technologies, allowing it to meet the strict carbon dioxide emission standards the European Commission is enacting.

For its part, Renault might be able to gain ground in the U.S. market because of Fiat’s extensive operations in North America.

The French government owns 15 percent of Renault and said it supports the merger, while adding that “the terms of this merger must be supportive of Renault’s economic development, and obviously of Renault’s employees.”

 

From: MeNeedIt

AI Phones, PCs Edging Into Global Consumer Technology

Artificial intelligence-driven phones that turn photos into 3D images and PCs with interactive speakers will come a step closer to reality this week during Asia’s biggest consumer technology show.

 

Organizers of the Computex Taipei show with 1,685 exhibitors — including a who’s who of global high tech companies — call artificial intelligence one of their top 2019 themes.

 

Microchip developers Intel, Nvidia and Qualcomm are expected to talk up their latest gear during the four-day show that opens Tuesday. Memory chip maker Micron Technology says it will exhibit a “broad portfolio of memory and storage” for artificial intelligence.

 

“My personal expectations toward AI this year are quite high,” said Helen Chiang, general manager of market research firm IDC in Taipei. “Whether from the perspective of the information systems or the technology, I’ve got some anticipation for these device-plus things.”

 

Artificial intelligence — AI for short — lets computers make human-like decisions based on data collected from hardware. Classic examples available to common users now include speech recognition, e-mail spam filters and personal assistants such as Siri and Alexa.

 

Apps, speakers and 3D images

 

Almost all the world’s chief hardware and software developers say they are researching what they else can do with AI. That push promises more functions that will be built into PC operating systems and mobile phone apps.

Forrester Research, a leading industry advisory firm, predicts that artificial intelligence will reach a market value of $1.2 trillion per year by 2020 as investment triples from 2018.

 

Consumers should expect in the short term to find AI-assisted matchmaking apps, more chatbots used by financial services companies to talk with customers, and new tools for processing financial data, said Jamie Lin, founding partner of AppWorks Ventures, a startup accelerator in Taipei.

 

One app designer is working with a Taiwanese smartphone company on AI technology that would turn camera images into 3D scenes, Lin said.

 

“Pretty soon you’re going to see phone device ODMs (developers) coming to the market where phones that are able to capture 3D images are loaded with software to help you turn that 3D image into content that can be used for different formats, for example games or 3D playbacks of sceneries,” he said.

 

Among AI-enabled hardware, “smart” speakers are especially likely to reach mass markets next year, Lin added. Consumers will be able to ask them questions such as the day’s weather forecast or the latest NBA scores, he expects.

 

Speakers already make up the highest growth category among “smart home devices” because of their “easy” voice interface, Forrester said in a May 21 report.

 

The rapid expansion of AI consumer products may not last. The market research firm Gartner forecasts that growth in the business value of artificial intelligence will slow through 2025 from a peak of 70 percent to just 7 percent as companies end up seeking “niche solutions that address one need very well.”

But the show host Taiwan is forecasting a boom for now. Premier Su Tseng-chang said in mid-May the government would help train 10,000 people every year to work in AI research and development. Taiwan, a global tech hardware hub since the 1980s, already has enough engineering knowhow to draw big-name Silicon Valley firms such as Google and Microsoft to open local R&D centers.

Computex 2019

 

Among the Computex exhibitors, Microsoft will show AI-enabled software and applications, said Mark Linton, general manager for Microsoft’s partner-devices unit. AI features included in its Office 365 software already direct the PowerPoint program to make downloaded images “gel” into its presentations, he said.

 

“There’s no doubt that AI is a transformative area of the technology industry, and over time it will prove to be a major investment area for Microsoft and I think the industry as a whole,” Linton said. “And really the benefits that we’re looking to get there is to make systems and applications smarter, more intuitive.”

 

A lot of AI-linked gear is expected to surface this year at the show’s InnoVEX segment. This zone for startups grew last year to 388 exhibitors, and 456 have registered for the event this week.

 

Gartner anticipates that startup firms working with AI will overtake Amazon, Google, Microsoft and IBM this year in “driving the artificial intelligence economy” for businesses.

 

The Taipei show, now in its 38th year, expects to draw 5,508 exhibition booths, up nearly 10 percent over 2018. The number of exhibitors should rise 5%, the organizer said in a pre-show statement.

 

From: MeNeedIt

AI Phones, PCs Edging Into Global Consumer Technology

Artificial intelligence-driven phones that turn photos into 3D images and PCs with interactive speakers will come a step closer to reality this week during Asia’s biggest consumer technology show.

 

Organizers of the Computex Taipei show with 1,685 exhibitors — including a who’s who of global high tech companies — call artificial intelligence one of their top 2019 themes.

 

Microchip developers Intel, Nvidia and Qualcomm are expected to talk up their latest gear during the four-day show that opens Tuesday. Memory chip maker Micron Technology says it will exhibit a “broad portfolio of memory and storage” for artificial intelligence.

 

“My personal expectations toward AI this year are quite high,” said Helen Chiang, general manager of market research firm IDC in Taipei. “Whether from the perspective of the information systems or the technology, I’ve got some anticipation for these device-plus things.”

 

Artificial intelligence — AI for short — lets computers make human-like decisions based on data collected from hardware. Classic examples available to common users now include speech recognition, e-mail spam filters and personal assistants such as Siri and Alexa.

 

Apps, speakers and 3D images

 

Almost all the world’s chief hardware and software developers say they are researching what they else can do with AI. That push promises more functions that will be built into PC operating systems and mobile phone apps.

Forrester Research, a leading industry advisory firm, predicts that artificial intelligence will reach a market value of $1.2 trillion per year by 2020 as investment triples from 2018.

 

Consumers should expect in the short term to find AI-assisted matchmaking apps, more chatbots used by financial services companies to talk with customers, and new tools for processing financial data, said Jamie Lin, founding partner of AppWorks Ventures, a startup accelerator in Taipei.

 

One app designer is working with a Taiwanese smartphone company on AI technology that would turn camera images into 3D scenes, Lin said.

 

“Pretty soon you’re going to see phone device ODMs (developers) coming to the market where phones that are able to capture 3D images are loaded with software to help you turn that 3D image into content that can be used for different formats, for example games or 3D playbacks of sceneries,” he said.

 

Among AI-enabled hardware, “smart” speakers are especially likely to reach mass markets next year, Lin added. Consumers will be able to ask them questions such as the day’s weather forecast or the latest NBA scores, he expects.

 

Speakers already make up the highest growth category among “smart home devices” because of their “easy” voice interface, Forrester said in a May 21 report.

 

The rapid expansion of AI consumer products may not last. The market research firm Gartner forecasts that growth in the business value of artificial intelligence will slow through 2025 from a peak of 70 percent to just 7 percent as companies end up seeking “niche solutions that address one need very well.”

But the show host Taiwan is forecasting a boom for now. Premier Su Tseng-chang said in mid-May the government would help train 10,000 people every year to work in AI research and development. Taiwan, a global tech hardware hub since the 1980s, already has enough engineering knowhow to draw big-name Silicon Valley firms such as Google and Microsoft to open local R&D centers.

Computex 2019

 

Among the Computex exhibitors, Microsoft will show AI-enabled software and applications, said Mark Linton, general manager for Microsoft’s partner-devices unit. AI features included in its Office 365 software already direct the PowerPoint program to make downloaded images “gel” into its presentations, he said.

 

“There’s no doubt that AI is a transformative area of the technology industry, and over time it will prove to be a major investment area for Microsoft and I think the industry as a whole,” Linton said. “And really the benefits that we’re looking to get there is to make systems and applications smarter, more intuitive.”

 

A lot of AI-linked gear is expected to surface this year at the show’s InnoVEX segment. This zone for startups grew last year to 388 exhibitors, and 456 have registered for the event this week.

 

Gartner anticipates that startup firms working with AI will overtake Amazon, Google, Microsoft and IBM this year in “driving the artificial intelligence economy” for businesses.

 

The Taipei show, now in its 38th year, expects to draw 5,508 exhibition booths, up nearly 10 percent over 2018. The number of exhibitors should rise 5%, the organizer said in a pre-show statement.

 

From: MeNeedIt

Bolivian Women Fight Gender-Based Violence through Theater

On stage, amid the hubbub of a Bolivian street market, women recount their stories of abuse at the hands of men.

But the violence depicted in the play isn’t just make-believe for the 22 indigenous actresses: It’s based on their own real-life experiences.

“Kusisita,” a work that seeks to raise awareness about violence against women and mobilize people to fight it, has been drawing large audiences in Bolivia, which has one of South America’s highest rates of femicides.

In the theater, Maria Luque portrays a woman who asks her drunken husband to stop abusing her. In her own history, she said, she was so brutally beaten by the father of her four children that she was left partly paralyzed. Even after more than a decade, she still has trouble moving some of the muscles in her face. 

“I’ve suffered discrimination since birth,” she told The Associated Press. “My mom was very poor and she escaped violence. For some, (violence) might be normal, but we want to show that it shouldn’t be that way.”

“Kusisita” is one of two plays offered by the Kory Warmis – Women of Gold in the Aymara language – troupe, and both focus on the problems of gender violence and convincing women to reject it.

“I was quiet, submissive, but I left that behind on stage. Theater is now my life,” said Luque, 56, who immigrated to the city of El Alto from a rural community in search of work opportunities. 

The plays, presented in Aymara, are also aimed at indigenous communities where nearly half of all reports of gender-based violence takes place, according to 2017 figures from the National Statistics Institute. Those communities make up roughly a fifth of Bolivia’s population.

​About 40% of the country’s police cases involve family violence and alcohol is involved in 90% of cases, according to a government report last year on gender-based violence.

“It’s a very high and alarming rate,” said government minister Carlos Romero, who helped write the report.

Actress Gumercinda Mamani, an artisan and shepherd , recalled how the body of a friend was found on the outskirts of La Paz with marks from a rope that her partner had used to choke her.

“It’s hard to understand how the man that you give your life to is the one who takes it away,” said Mamani, a former representative for female farmers. “I’m fighting against this.”

Carmen Aranibar, another actress, joined the group in the hopes that her story would encourage other women to leave abusive relationships.

“We can’t wait until they kill us or we want to take our own lives out of the desperation caused by violence,” said Aranibar, a mother of two boys who sells diapers for a living.

She said she endured beatings by her partner for more than 10 years before finding out that he was cheating on her with a younger woman. 

“I nearly killed myself,” she said. “I put up with everything he did because I was afraid that he’d leave me. But then I realized that it wasn’t worth it and I left him. I’m happy here and that’s what I tell in the play.”

The theater group, which was founded in 2014, finds itself gaining an audience as waves of women mobilize to fight gender violence across the world. In neighboring Argentina, a grassroots movement known as “Ni Una Menos,” or Not One Less, emerged in 2015 and drew thousands to hold massive demonstrations in support of women’s rights. But while movements in Bolivia have lacked the impact of Ni Una Menos or the (hash)MeToo movement in the United States, some say the plays have had impact.

“It’s a success, 100% percent,” said Paola Ricalde of the La Paz mayorship’s directorate for equality policies. 

Theater group director Erika Andia said it’s challenging to oversee a group of women who have been forced to be silent and submissive. But she said that their strength of will helped them achieve their goal of “discovering what they’re capable of, helping them loosen up and boost their confidence.”

“We never thought we’d reach so far,” Andia said. “There are no limits to what we do. Every year we continue to grow and there’s happiness after all the pain that our actresses have suffered.”

From: MeNeedIt

Bolivian Women Fight Gender-Based Violence through Theater

On stage, amid the hubbub of a Bolivian street market, women recount their stories of abuse at the hands of men.

But the violence depicted in the play isn’t just make-believe for the 22 indigenous actresses: It’s based on their own real-life experiences.

“Kusisita,” a work that seeks to raise awareness about violence against women and mobilize people to fight it, has been drawing large audiences in Bolivia, which has one of South America’s highest rates of femicides.

In the theater, Maria Luque portrays a woman who asks her drunken husband to stop abusing her. In her own history, she said, she was so brutally beaten by the father of her four children that she was left partly paralyzed. Even after more than a decade, she still has trouble moving some of the muscles in her face. 

“I’ve suffered discrimination since birth,” she told The Associated Press. “My mom was very poor and she escaped violence. For some, (violence) might be normal, but we want to show that it shouldn’t be that way.”

“Kusisita” is one of two plays offered by the Kory Warmis – Women of Gold in the Aymara language – troupe, and both focus on the problems of gender violence and convincing women to reject it.

“I was quiet, submissive, but I left that behind on stage. Theater is now my life,” said Luque, 56, who immigrated to the city of El Alto from a rural community in search of work opportunities. 

The plays, presented in Aymara, are also aimed at indigenous communities where nearly half of all reports of gender-based violence takes place, according to 2017 figures from the National Statistics Institute. Those communities make up roughly a fifth of Bolivia’s population.

​About 40% of the country’s police cases involve family violence and alcohol is involved in 90% of cases, according to a government report last year on gender-based violence.

“It’s a very high and alarming rate,” said government minister Carlos Romero, who helped write the report.

Actress Gumercinda Mamani, an artisan and shepherd , recalled how the body of a friend was found on the outskirts of La Paz with marks from a rope that her partner had used to choke her.

“It’s hard to understand how the man that you give your life to is the one who takes it away,” said Mamani, a former representative for female farmers. “I’m fighting against this.”

Carmen Aranibar, another actress, joined the group in the hopes that her story would encourage other women to leave abusive relationships.

“We can’t wait until they kill us or we want to take our own lives out of the desperation caused by violence,” said Aranibar, a mother of two boys who sells diapers for a living.

She said she endured beatings by her partner for more than 10 years before finding out that he was cheating on her with a younger woman. 

“I nearly killed myself,” she said. “I put up with everything he did because I was afraid that he’d leave me. But then I realized that it wasn’t worth it and I left him. I’m happy here and that’s what I tell in the play.”

The theater group, which was founded in 2014, finds itself gaining an audience as waves of women mobilize to fight gender violence across the world. In neighboring Argentina, a grassroots movement known as “Ni Una Menos,” or Not One Less, emerged in 2015 and drew thousands to hold massive demonstrations in support of women’s rights. But while movements in Bolivia have lacked the impact of Ni Una Menos or the (hash)MeToo movement in the United States, some say the plays have had impact.

“It’s a success, 100% percent,” said Paola Ricalde of the La Paz mayorship’s directorate for equality policies. 

Theater group director Erika Andia said it’s challenging to oversee a group of women who have been forced to be silent and submissive. But she said that their strength of will helped them achieve their goal of “discovering what they’re capable of, helping them loosen up and boost their confidence.”

“We never thought we’d reach so far,” Andia said. “There are no limits to what we do. Every year we continue to grow and there’s happiness after all the pain that our actresses have suffered.”

From: MeNeedIt

Simon Pagenaud Wins Indy 500 on Penske’s Golden Anniversary

Simon Pagenaud arrived at Indianapolis Motor Speedway this month with his job on the line and rumors swirling around Gasoline Alley that Alexander Rossi could soon replace him at Team Penske.

The Frenchman is leaving with a pair of wins, his face soon to be engraved on the Borg-Warner trophy as the Indianapolis 500 champion and an assurance from Roger Penske himself that he isn’t going anywhere.

“Do I even have to answer that?” Penske asked. “Absolutely.”

In a head-to-head duel for the ages, Pagenaud defeated none other than Rossi with a dramatic pass on the penultimate lap, then holding on the rest of the way to hand Penske his 18th win in “The Greatest Spectacle in Racing.” Even sweeter, it came the 50th anniversary of Penske’s arrival at the Brickyard.

Pagenaud and Rossi swapped the lead five times over the final 13 laps, and the margin of victory was a mere 0.2086 seconds — the seventh-closest finish in the 103 years of the race.

“It’s a dream come true. A lifetime trying to achieve this,” said Pagenaud, who dismissed the thought over job security as he celebrated his first Indy 500 win. “The milk motivated me. I was just focused on the job, man.”

Pagenaud was dominant all day, leading 116 of the 200 laps, and the win was cathartic. He stopped his car at the start-finish line and hopped out to share the moment with his fans. And once he finally made his way to victory lane, Pagenaud climbed from his car and let out a primal scream, then dumped the entire bottle of milk over his head. 

“I never expected to be in this position,” Pagenaud said, “and I certainly am grateful.”

President Donald Trump phoned Penske in victory lane from Japan, where he was meeting with Prime Minister Shinzo Abe over trade. Penske passed the phone to Pagenaud, and Trump later tweeted an invite to the White House for the winning team.

Penske, who was there earlier with Joey Logano last month to celebrate last year’s NASCAR Cup Series championship, said Trump told him: “I must have been your good-luck charm.”

Penske now has two consecutive Indy 500 victories — Will Power won last year — for the first time since 2002-03. It was his third win in the crown jewel race in the past five years and fifth in the past 14.

​It was a banner day, too, with Josef Newgarden finishing fourth and Power in fifth.

Rossi lost his cool several times in the race, but the Californian had better fuel mileage than Pagenaud and the Penske cars. The 2016 race winner twice charged to the front in the closing laps.

“Horsepower. That’s unfortunately the way it is,” said Rossi, who was in a Honda for Andretti Autosport. “I think we had the superior car. We just didn’t have enough there at the end.”

Pagenaud was in a Chevrolet, and the bowtie brand was the dominant engine all May. It swept the top four spots in qualifying, won the race and took four of the top six spots.

Pagenaud is the first Frenchman to win the Indy 500 since Rene Thomas in 1914. Indianapolis records count five French winners, but Gil de Ferran in 2003 and Gaston Chevrolet in 1920, while born in France, list other nationalities. Pagenaud was the 21st winner form the pole and first since Helio Castroneves a decade ago.

As he began the traditional victory lap in the back of a convertible, Rossi was one of many drivers to walk onto the track to congratulate him. The American leaned in for a genuine embrace.

“Nothing else matters but winning,” Rossi said. “This one will be hard to get over.”

Rossi, who drove from the back to finish fourth a year ago, had been patient through the first half of the race and set himself up to take control after the halfway point. But a troublesome fuel hose on a pit stop caused a lengthy delay, and Rossi was angrily pounding his steering wheel while imploring the Andretti crew to get him back on track.

He really lost his cool when he couldn’t get past the lapped car of Oriol Servia. As Rossi finally raced by, he angrily raised his fist at the Spaniard. A late wreck then caused an 18-minute stoppage with Rossi set to restart the final sprint as the leader, and he conveyed his mood over his team radio.

“A bunch of hungry, angry cars behind me,” Rossi said. “Little do they know I’m angrier.”

Pagenaud got him on the restart, though, and the two went back and forth four more times before Pagenaud locked down the win. Former champion Takuma Sato finished third as he and Rossi gave Honda two spots on the podium. Santino Ferrucci in seventh was the highest finishing rookie.

Attention had been heavy on rookie Colton Herta, but the 19-year-old driver for team owners Mike Harding and George Steinbrenner IV was the first driver out of the race when his gearbox broke.

Indianapolis Motor Speedway officials had prepared for rain, and perhaps even a postponement, in NBC’s debut as broadcaster. But it was a bright, sunny day — a picture-perfect showcase for Pagenaud to triumph on Memorial Day weekend. 

From: MeNeedIt

Virtual Reality Offers Glimpse of Rome’s Circus Maximus

The Circus Maximus Experience, opened in Rome this week and offers visitors the chance to relive the ancient splendors of chariot racing in the Imperial period of Rome through augmented and virtual reality. The innovative project implements interactive display technologies never before used in such a large outdoor area.

“Now you find yourself in front of the Arch of Titus, which was possibly built in the place of a more ancient arch and dedicated in the year 81 After Christ by the Roman Senate and people to Emperor Flavius”.

This is just an example of what modern-day visitors will be listening to in their headsets, while at the same time through special visors see a virtual rendering of the majestic 20-meter Arch of Titus in Rome’s Circus Maximus.

Thanks to a ground-breaking project using interactive display technology never before used in such an extended outdoor area, visitors are able to re-live the life in one of Rome’s undisputed landmarks.

Visitors immerse themselves in history for with overlapping images from the past and those of the reality of today. They are able to visualize architectural and landscape reconstructions of what life was like during all of the historical stages of the Circus Maximus.

They can see the ancient Murcia Valley enriched with buildings and walk around in the Circus among the shops of the time. They can visualize the Circus during Imperial times, the Middle Ages and in a more modern age.

The full itinerary involves eight stops including: the valley and the origins of the Circus, the Circus from Julius Caesar to Trajan, the Circus during the Imperial age, the cavea or tiered seating arena, the Arch of Titus, the tabernae or shops, the Circus during the Middle Ages and modern age, and lastly “A Day at the Circus” for an experience of the exciting chariot race of the quadrigas with the screams of incitement of the public and the overturning of wagons.

Visitors are able to enjoy similar experiences in Rome at the Baths of Caracalla, the Ara Pacis and the Domus Aurea.

From: MeNeedIt

Virtual Reality Offers Glimpse of Rome’s Circus Maximus

The Circus Maximus Experience, opened in Rome this week and offers visitors the chance to relive the ancient splendors of chariot racing in the Imperial period of Rome through augmented and virtual reality. The innovative project implements interactive display technologies never before used in such a large outdoor area.

“Now you find yourself in front of the Arch of Titus, which was possibly built in the place of a more ancient arch and dedicated in the year 81 After Christ by the Roman Senate and people to Emperor Flavius”.

This is just an example of what modern-day visitors will be listening to in their headsets, while at the same time through special visors see a virtual rendering of the majestic 20-meter Arch of Titus in Rome’s Circus Maximus.

Thanks to a ground-breaking project using interactive display technology never before used in such an extended outdoor area, visitors are able to re-live the life in one of Rome’s undisputed landmarks.

Visitors immerse themselves in history for with overlapping images from the past and those of the reality of today. They are able to visualize architectural and landscape reconstructions of what life was like during all of the historical stages of the Circus Maximus.

They can see the ancient Murcia Valley enriched with buildings and walk around in the Circus among the shops of the time. They can visualize the Circus during Imperial times, the Middle Ages and in a more modern age.

The full itinerary involves eight stops including: the valley and the origins of the Circus, the Circus from Julius Caesar to Trajan, the Circus during the Imperial age, the cavea or tiered seating arena, the Arch of Titus, the tabernae or shops, the Circus during the Middle Ages and modern age, and lastly “A Day at the Circus” for an experience of the exciting chariot race of the quadrigas with the screams of incitement of the public and the overturning of wagons.

Visitors are able to enjoy similar experiences in Rome at the Baths of Caracalla, the Ara Pacis and the Domus Aurea.

From: MeNeedIt

Big Toys and a Sandbox for Grown-Ups at Las Vegas Attraction

Most kids love digging in the sand … and many never outgrow that. A new and unusual attraction nicknamed “sand box for grown-ups” is a big hit among teenagers and adults in Las Vegas, Nevada. It’s a heavy equipment playground that gives customers a change to operate gigantic, earth-moving bulldozers and hydraulic excavators, get tested on their skills and just have fun. Roman Mamonov tried his hand at operating some of the biggest construction vehicles there. Anna Rice narrates his story.

From: MeNeedIt

Big Toys and a Sandbox for Grown-Ups at Las Vegas Attraction

Most kids love digging in the sand … and many never outgrow that. A new and unusual attraction nicknamed “sand box for grown-ups” is a big hit among teenagers and adults in Las Vegas, Nevada. It’s a heavy equipment playground that gives customers a change to operate gigantic, earth-moving bulldozers and hydraulic excavators, get tested on their skills and just have fun. Roman Mamonov tried his hand at operating some of the biggest construction vehicles there. Anna Rice narrates his story.

From: MeNeedIt

Korean Director Wins Cannes’ Top Prize

South Korean director Bong Joon-ho’s social satire Parasite, about a poor family of hustlers who find jobs with a wealthy family, won the Cannes Film Festival’s top award, the Palme d’Or, on Saturday.  

  

Parasite was the first Korean film to win the Palme. In the festival’s closing ceremony, jury president Alejandro Inarritu said the choice was “unanimous” for the nine-person jury.  

  

The genre-mixing film had arguably been celebrated more than others at Cannes this year, hailed by critics as the best yet from the 49-year-old director of Snowpiercer and Okja.  

  

It was the second straight Palme victory for an Asian director. Last year, the award went to Japanese filmmaker Hirokazu Kore-eda’s Shoplifters, a film also about an impoverished family. 

 

“We shared the mystery of the unexpected way this film took us through different genres, speaking in a funny, humorous and tender way of no judgment of something so relevant and urgent and so global,” Inarritu told reporters after the ceremony.  

  

Many of the awards at Cannes on Saturday were given to social and political tales that depicted geopolitical dramas in localized stories, from African shores to Paris suburbs.    

The festival’s second-place award, the Grand Prix, went to French-Senegalese director Mati Diop’s feature-film debut, Atlantics. The film by Diop, the first black female director ever in competition in Cannes, views the migrant crisis from the perspective of Senegalese women left behind after many young men flee by sea to Spain. 

Sciamma’s period romance

  

Although few quibbled with the choice of Bong, some had expected Cannes to make history by giving the Palme to a female filmmaker for just the second time. Celine Sciamma’s period romance Portrait of a Lady on Fire was the Palme pick for many critics this year. Instead, Sciamma ended up with best screenplay.  

  

In the festival’s 72-year history, only Jane Champion has won the prize. In 1993, her The Piano tied with Chen Kaige’s Farewell My Concubine.  

  

Best actor went to Antonio Banderas for Pedro Almodovar’s reflective drama Pain and Glory. In the film, one of the most broadly acclaimed of the festival, Banderas plays a fictionalized version of Almodovar looking back on his life and career.  

  

“The best is still to come,” said Banderas, accepting the award.  

  

The Belgian brothers Jean-Pierre and Luc Dardenne, who have already twice won the Palme d’Or, took the best director prize for Young Ahmed, their portrait of a Muslim teenager who becomes radicalized by a fundamentalist imam. 

 

The jury prize, or third place, was split between two socially conscious thrillers: French director Ladj Ly’s feature-film debut Les Miserables and Brazilian director Kleber Mendonca Filho’s Bacurau.  

  

Ly called his film an alarm bell about youths living in the housing projects of Paris’ suburbs. Filho viewed his feverish, violent Western about a rural Brazilian community defending itself from a hard-to-comprehend invasion as a reflection of President Jair Bolsonaro’s Brazil.    

British actress Emily Beecham won best actress for her performance in Jessica Hausner’s science-fiction drama Little Joe. The jury also gave a special mention to Palestinian director Elia Suleiman’s It Must Be Heaven. 

  

The Camera d’Or, an award given for best first feature from across all of Cannes’ sections, went to Cesar Diaz’s Our Mothers, a drama about the Guatemalan civil war in the 1980s.  

  

The ceremony Saturday brought to a close a Cannes Film Festival that was riven with concerns for its own relevancy. It had to contend, most formidably, with the cultural television force of Game of Thrones. The continuing rise of streaming was also a constant subject around the festival.  

Netflix controversy

  

Two years ago, Bong was in Cannes’ competition with Okja, a movie distributed in North America by Netflix. After it and Noah Baumbach’s The Meyerowitz Stories — another Netflix release — premiered at Cannes, the festival ruled that all future films in competition needed French theatrical distribution. Netflix has since withdrawn from the festival on the French Riviera. 

 

This year, bowing to pressure from 5050×2020, the French version of Time’s Up, the festival released gender breakdowns of its submissions and selections. Cannes said about 27% of its official selections were directed by women. The 21-film main slate included four films directed by women, which tied the festival’s previous high.  

  

The 72nd Cannes had its share of red-carpet dazzle, too. Elton John brought his biopic Rocketman to the festival, joining star Taron Egerton for a beachside duet after the premiere. And Quentin Tarantino unveiled his 1960s Los Angeles tale Once Upon a Time … in Hollywood, with Brad Pitt and Leonardo DiCaprio, 25 years after the director’s Pulp Fiction won the Palme d’Or.  

  

Tarantino, who attended the closing ceremony, didn’t go home empty-handed. On Friday, a prominent pooch in his film won the annual Palme Dog, an award given by critics to Cannes’ best canine.

From: MeNeedIt