Jordan Peele’s sweet spot as a filmmaker are the “pit in your stomach” moments. That thing that happens when you realize the woman stirring the tea isn’t just there for conversation. When you notice that the help is a little off. Or, as in his new film Us, when you see that the family of four standing in your driveway late at night looks exactly like you.

Peele knows how to get under your skin and stay there, and it’s what made him the must-see horror filmmaker of the moment. Us, out nationwide Friday, is only his second and yet it’s been an event-in-the-making ever since it was announced. That’s what happens when your debut is Get Out.

Get Out wasn’t even finished when the former sketch-comedian started cooking up the idea for his follow-up about doppelgangers, loosely inspired by the Twilight Zone episode “Mirror Image.” Then the wild success of Get Out — four Oscars nominations, one win (Peele for original screenplay), over $255 million in tickets sold against a $4.5 million budget, and general cultural impact — put Peele on another level. So by the time Universal Pictures agreed to make Us, not only did he have a budget over five times higher than his first, but he had his pick of collaborators too.

“Because of Get Out, I was privileged enough to be able to tap the best talent in the industry,” Peele said recently.

Nyong’o and Duke

That goes for stars Lupita Nyong’o and Winston Duke, who play dual roles as the nuclear American family, the Wilsons, and the terrifying red jumpsuit-wearing and gold scissor-wielding Red and Abraham, as well as the below-the-line talent: Production designer Ruth De Jong (Twin Peaks); cinematographer Mike Gioulakis (It Follows); and costume designer Kym Barrett (The Matrix) among them.

“I had an amazing team on Get Out,” Peele said. “But this group sort of allowed me to stretch a little bit more.”

Duke was impressed by his calm. He knew there were “sophomore pressures” — he had his own set following his breakout role in Black Panther — but said Peele never brought any of that to set.

“Day one, [Peele] said, ‘Before we do anything I just want to let you guys know that I’m here for you. I won’t stop until we get the shot. When I say cut, we got the shot. So trust me, believe in me,”‘ Duke said. “And I was like, that’s all I need.”

Duke and Nyong’o already had a short hand working together. Yes, they had just both been in Black Panther, but they were also Yale Drama School graduates and have seen one another do everything from clown work to Chekov.

“It was great to be able to perform with someone who I value as much more than a friend — I value her as a cohort. I value her as an ally. I went to work every day trying to make sure we could create a space where she could excel. I thought that was my duty,” Duke said. “We had a female lead and in our climate in Hollywood we were doing the work and leading by example.”

And Peele put them both through the wringer. The days on set as the Wilsons were full of laughter and fun. But the days as the murderous doppelgangers known as The Tethered, Peele said, felt like “a morgue.”

“The air getting sucked out of the room is an understatement. But it was kind of cool,” Peele said. The actors went “pretty method” on those days.

Nyong’o had it especially hard. She’d chosen to affect a strained vocal condition — spasmodic dysphonia — to make Red even more haunting. And she had to do Red’s first big monologue 11 times with that raspy, painful sounding voice.

Horror movie

Us is chock full of pop culture references, subtle and overt: A Jaws T-shirt here, a C.H.U.D. VHS there.  Even the setting, the Santa Cruz boardwalk, is a callback to The Lost Boys. And every reference works “on two different levels and hopefully more,” Peele said. But don’t stress if you don’t catch or decipher them all.

“There are many of these things that only I will ever know,” Peele revealed.

Although one thing is not really up for interpretation: the genre. He tweeted the other day that “Us is a horror movie.”

“I can see the debate already beginning and people are calling it different things. I have a little bit of fun with the big genre conversation,” he said. “But I saw enough little pieces of like ‘horror-thriller,’ ‘horror-comedy,’ ‘social-thriller,’ out there that I just want to make it nice clean and defined: It’s a horror movie.”

Race

Peele hasn’t tired of explaining that Us isn’t about race, either. Though he understands why people might think it would be, considering Get Out.

“I know the way we are, the lack of representation in the industry and genre has led us to this point where it’s almost impossible to not see race in a movie with a black family in the center. And I wanted people to be ready to expand their expectations,” Peele said. “My fear was if I didn’t say anything, that people would take away that this was a movie about black-on-black violence which was not my intention.”

As for whether Peele has felt internal or external pressures to match Get Out’s magic?

“There are, but it’s OK,” he laughed. “It’s just movies.”
…

From: MeNeedIt

Jordan Peele’s sweet spot as a filmmaker are the “pit in your stomach” moments. That thing that happens when you realize the woman stirring the tea isn’t just there for conversation. When you notice that the help is a little off. Or, as in his new film Us, when you see that the family of four standing in your driveway late at night looks exactly like you.

Peele knows how to get under your skin and stay there, and it’s what made him the must-see horror filmmaker of the moment. Us, out nationwide Friday, is only his second and yet it’s been an event-in-the-making ever since it was announced. That’s what happens when your debut is Get Out.

Get Out wasn’t even finished when the former sketch-comedian started cooking up the idea for his follow-up about doppelgangers, loosely inspired by the Twilight Zone episode “Mirror Image.” Then the wild success of Get Out — four Oscars nominations, one win (Peele for original screenplay), over $255 million in tickets sold against a $4.5 million budget, and general cultural impact — put Peele on another level. So by the time Universal Pictures agreed to make Us, not only did he have a budget over five times higher than his first, but he had his pick of collaborators too.

“Because of Get Out, I was privileged enough to be able to tap the best talent in the industry,” Peele said recently.

Nyong’o and Duke

That goes for stars Lupita Nyong’o and Winston Duke, who play dual roles as the nuclear American family, the Wilsons, and the terrifying red jumpsuit-wearing and gold scissor-wielding Red and Abraham, as well as the below-the-line talent: Production designer Ruth De Jong (Twin Peaks); cinematographer Mike Gioulakis (It Follows); and costume designer Kym Barrett (The Matrix) among them.

“I had an amazing team on Get Out,” Peele said. “But this group sort of allowed me to stretch a little bit more.”

Duke was impressed by his calm. He knew there were “sophomore pressures” — he had his own set following his breakout role in Black Panther — but said Peele never brought any of that to set.

“Day one, [Peele] said, ‘Before we do anything I just want to let you guys know that I’m here for you. I won’t stop until we get the shot. When I say cut, we got the shot. So trust me, believe in me,”‘ Duke said. “And I was like, that’s all I need.”

Duke and Nyong’o already had a short hand working together. Yes, they had just both been in Black Panther, but they were also Yale Drama School graduates and have seen one another do everything from clown work to Chekov.

“It was great to be able to perform with someone who I value as much more than a friend — I value her as a cohort. I value her as an ally. I went to work every day trying to make sure we could create a space where she could excel. I thought that was my duty,” Duke said. “We had a female lead and in our climate in Hollywood we were doing the work and leading by example.”

And Peele put them both through the wringer. The days on set as the Wilsons were full of laughter and fun. But the days as the murderous doppelgangers known as The Tethered, Peele said, felt like “a morgue.”

“The air getting sucked out of the room is an understatement. But it was kind of cool,” Peele said. The actors went “pretty method” on those days.

Nyong’o had it especially hard. She’d chosen to affect a strained vocal condition — spasmodic dysphonia — to make Red even more haunting. And she had to do Red’s first big monologue 11 times with that raspy, painful sounding voice.

Horror movie

Us is chock full of pop culture references, subtle and overt: A Jaws T-shirt here, a C.H.U.D. VHS there.  Even the setting, the Santa Cruz boardwalk, is a callback to The Lost Boys. And every reference works “on two different levels and hopefully more,” Peele said. But don’t stress if you don’t catch or decipher them all.

“There are many of these things that only I will ever know,” Peele revealed.

Although one thing is not really up for interpretation: the genre. He tweeted the other day that “Us is a horror movie.”

“I can see the debate already beginning and people are calling it different things. I have a little bit of fun with the big genre conversation,” he said. “But I saw enough little pieces of like ‘horror-thriller,’ ‘horror-comedy,’ ‘social-thriller,’ out there that I just want to make it nice clean and defined: It’s a horror movie.”

Race

Peele hasn’t tired of explaining that Us isn’t about race, either. Though he understands why people might think it would be, considering Get Out.

“I know the way we are, the lack of representation in the industry and genre has led us to this point where it’s almost impossible to not see race in a movie with a black family in the center. And I wanted people to be ready to expand their expectations,” Peele said. “My fear was if I didn’t say anything, that people would take away that this was a movie about black-on-black violence which was not my intention.”

As for whether Peele has felt internal or external pressures to match Get Out’s magic?

“There are, but it’s OK,” he laughed. “It’s just movies.”
…

From: MeNeedIt

It would be irresponsible for any scientist to conduct human gene-editing studies in people, and a central registry of research plans should be set up to ensure transparency, World Health Organization experts said Tuesday.

After its first two-day meeting in Geneva, the WHO panel of gene-editing experts — which was established in December after a Chinese scientist said he had edited the genes of twin babies — said it had agreed on a framework for setting future standards.

It said a central registry of all human genome-editing research was needed “in order to create an open and transparent database of ongoing work,” and asked the WHO to start setting up such a registry immediately.

“The committee will develop essential tools and guidance for all those working on this new technology to ensure maximum benefit and minimal risk to human health,” Soumya Swamanathan, the WHO’s chief scientist, said in a statement.

A Chinese scientist last year claimed to have edited the genes of twin baby girls.

News of the births prompted global condemnation, in part because it raised the ethical specter of so-called “designer babies” — in which embryos can be genetically modified to produce children with desirable traits.

Top scientists and ethicists from seven countries called last week for a global moratorium on gene editing of human eggs, sperm or embryos that would result in such genetically-altered babies — saying this “could have permanent and possibly harmful effects on the species.”

The WHO panel’s statement said any human gene-editing work should be done for research only, should not be done in human clinical trials, and should be conducted transparently.

“It is irresponsible at this time for anyone to proceed with clinical applications of human germline genome editing.”

The WHO’s director-general, Tedros Adhanom Ghebreyesus, welcomed the panel’s initial plans. “Gene editing holds incredible promise for health, but it also poses some risks, both ethically and medically,” he said in a statement.

The committee said it aims over the next two years to produce “a comprehensive governance framework” for national, local and international authorities to ensure human genome-editing science progresses within agreed ethical boundaries.
…

From: MeNeedIt

Japan’s space agency said Monday that its Hayabusa2 spacecraft will follow up last month’s touchdown on a distant asteroid with another risky mission — to drop an explosive to make a crater and collect underground samples to get possible clues to the origin of the solar system.

Hayabusa2 made history on Feb. 22 when it successfully touched down on the boulder-rich asteroid, where it also collected some surface fragments.

The Japan Aerospace Exploration Agency said Hayabusa2 is to drop a copper impactor the size of a baseball and weighing 2 kilograms (4.4 pounds) on the asteroid on April 5 to collect samples from deeper underground where they had not been exposed to the sun or space rays.

The new mission will require an immediate evacuation of the spacecraft to the other side of the asteroid so it won’t get hit by flying shards from the blast, JAXA said. While moving away, Hayabusa2 will leave a camera to capture the outcome.

The mission will allow JAXA scientists to analyze details of a crater to find out the history of the asteroid, said Koji Wada, who is in charge of the project.

Hayabusa2 will start descending toward the asteroid the day before to carry out the mission from its home position of 20 kilometers (12 miles) above. It will drop a cone-shaped piece of equipment containing explosives that will blast off a copper plate on the bottom. It will turn into a ball and slam into the asteroid at the speed of 2 kilometers (1.2 miles) per second.

JAXA has previously planned to have Hayabusa2 briefly touchdown in a crater, but an agency researcher, Takashi Kubota, said they may not force it to prioritize safety for the spacecraft. Kubota said it would be the first time a spacecraft would take materials from underground a space object.

The asteroid, named Ryugu after an undersea palace in a Japanese folktale, is about 900 meters (3,000 feet) in diameter and about 300 million kilometers (180 million miles) from Earth.
…

From: MeNeedIt

Japan’s space agency said Monday that its Hayabusa2 spacecraft will follow up last month’s touchdown on a distant asteroid with another risky mission — to drop an explosive to make a crater and collect underground samples to get possible clues to the origin of the solar system.

Hayabusa2 made history on Feb. 22 when it successfully touched down on the boulder-rich asteroid, where it also collected some surface fragments.

The Japan Aerospace Exploration Agency said Hayabusa2 is to drop a copper impactor the size of a baseball and weighing 2 kilograms (4.4 pounds) on the asteroid on April 5 to collect samples from deeper underground where they had not been exposed to the sun or space rays.

The new mission will require an immediate evacuation of the spacecraft to the other side of the asteroid so it won’t get hit by flying shards from the blast, JAXA said. While moving away, Hayabusa2 will leave a camera to capture the outcome.

The mission will allow JAXA scientists to analyze details of a crater to find out the history of the asteroid, said Koji Wada, who is in charge of the project.

Hayabusa2 will start descending toward the asteroid the day before to carry out the mission from its home position of 20 kilometers (12 miles) above. It will drop a cone-shaped piece of equipment containing explosives that will blast off a copper plate on the bottom. It will turn into a ball and slam into the asteroid at the speed of 2 kilometers (1.2 miles) per second.

JAXA has previously planned to have Hayabusa2 briefly touchdown in a crater, but an agency researcher, Takashi Kubota, said they may not force it to prioritize safety for the spacecraft. Kubota said it would be the first time a spacecraft would take materials from underground a space object.

The asteroid, named Ryugu after an undersea palace in a Japanese folktale, is about 900 meters (3,000 feet) in diameter and about 300 million kilometers (180 million miles) from Earth.
…

From: MeNeedIt

British Prime Minister Theresa May was making a last-minute push Monday to win support for her European Union divorce deal, warning opponents that failure to approve it would mean a long — and possibly indefinite — delay to Brexit.

Parliament has rejected the agreement twice, but May aims to try a third time this week if she can persuade enough lawmakers to change their minds. Her aim is to have the deal agreed before EU leaders meet Thursday for a summit in Brussels.

May’s goal is to win over Northern Ireland’s small, power-brokering Democratic Unionist Party. The DUP’s 10 lawmakers prop up May’s Conservative government, and their support could influence pro-Brexit Conservatives to drop their opposition to the deal.

Still, May faces a struggle to reverse the huge margins of defeat for the agreement in Parliament. It was rejected by 230 votes in January and by 149 votes last week.

Influential Conservative Brexiteer Jacob Rees-Mogg said he would wait to see what the DUP decided before making up his mind on whether to support May’s deal.

“No deal is better than a bad deal, but a bad deal is better than remaining in the European Union,” he told LBC radio.

British Foreign Secretary Jeremy Hunt said Monday he saw “cautious signs of encouragement” that the deal might make it through Parliament this week.

After months of political deadlock, British lawmakers voted last week to seek to postpone Brexit. That will likely avert a chaotic British withdrawal on the scheduled exit date of March 29 — although the power to approve or reject a Brexit extension lies with the EU, whose leaders are fed up with British prevarication.

May is likely to ask for an extension at the Brussels summit, and EU leaders say they will only grant it if Britain has a solid plan for what to do with the extra time.

“We have to know what the British want: How long, what is the reason supposed to be, how it should go, what is actually the aim of the extension?” German Foreign Minister Heiko Maas told reporters in Brussels. “The longer it is delayed, the more difficult it will certainly be.”

Belgian Foreign Minister Didier Reynders agreed, saying: “We are not against an extension in Belgium, but the problem is — to do what?”

Opposition to May’s deal centers on a measure designed to ensure there is no hard border between the U.K.’s Northern Ireland and EU member Ireland after Brexit.

The mechanism, known as the backstop, is a safeguard that would keep the U.K. in a customs union with the EU until a permanent new trading relationship is in place. Brexit supporters in Britain fear the backstop could be used to bind the country to EU regulations indefinitely, and the DUP fears it could lead to a weakening of the bonds between Northern Ireland and the rest of the U.K.

Talks between the government and the DUP are aimed at reassuring the party that Britain could not be trapped in the backstop indefinitely.

May has said that if her deal is approved by Parliament this week, she will ask the EU to delay Brexit until June 30 so that Parliament has time to approve the necessary legislation. If it isn’t, she will have to seek a longer extension that could mean Britain participating in May 23-26 elections for the European Parliament.

May said in an article for the Sunday Telegraph that failure to approve the deal meant “we will not leave the EU for many months, if ever.”

“The idea of the British people going to the polls to elect MEPs (Members of the European Parliament) three years after voting to leave the EU hardly bears thinking about,” she wrote.

But May suffered a setback Monday when former Foreign Secretary Boris Johnson refused to support her deal.

Johnson, a staunch Brexiteer, used his column in the Daily Telegraph to argue that the backstop left the U.K. vulnerable to “an indefinite means of blackmail” by Brussels.
…

From: MeNeedIt

The European Union will seek Beijing’s agreement for deadlines to open up China’s economy at an April 9 summit in Brussels, according to a draft leaders’ statement, trying to coax it into making good on promises to deepen trade ties.

China and the EU will “agree by summer 2019 on a set of priority market access barriers and requirements facing their operators,” according to a six-page joint communique drafted by the EU, which still requires Chinese approval.

The statement, seen by Reuters, said the two trading blocs would set “deadlines for their swift removal by the next EU-China summit 2020 at the latest.”

The statement, which is likely to change, also sets 2020 as the goal for a special treaty to increase investment flows that has been under negotiation for almost a decade.

The communique reflects European frustration over China’s reluctance to allow foreign companies to set up without restrictions while taking full advantage of the EU’s openness, EU diplomats say.

A surge of Chinese takeovers in critical sectors in Europe and an impression in Brussels that Beijing has not kept its promise to stand up for free trade and globalization have given the April meeting new urgency.

Despite an agenda dominated by Britain’s imminent departure from the EU, leaders will use a March 21 summit to discuss China policy, a first for many years.

It is part of a flurry of high-level meetings before President Xi Jinping travels to Italy and France from this week and the bloc holds a summit with China on April 9.

The joint draft statement is set to be formally released at the summit between Chinese Premier Li Keqiang, European Commission President Jean-Claude Juncker and European Council President Donald Tusk.
…

From: MeNeedIt

Tens of thousands of people gathered in Paris over the weekend to demand action on climate change. The initiative started with a 16-year-old Swedish girl and ballooned to what environmental groups called the “March of the Century” in France. Arash Arabasadi reports.
…

From: MeNeedIt

Brazil is considering granting an import quota of 750,000 metric tons of U.S. wheat per year without tariffs in exchange for other trade concessions, according to a Brazilian official with knowledge of the negotiations ahead of President Jair Bolsonaro’s visit to Washington. 

That is about 10 percent of Brazilian annual wheat imports and is part of a two-decade-old commitment to import 750,000 metric tons of wheat a year free of tariffs that Brazil made — but never kept — during the World Trade Organization’s Uruguay Round of talks on agriculture. 

Bolsonaro is scheduled to arrive in Washington on Sunday and meet with U.S. President Donald Trump at the White House on Tuesday.

Farm state senators have asked that wheat sales be on the agenda, in a letter to Trump seen by Reuters. They estimate such a quota would increase U.S. wheat sales by between $75 million and $120 million a year. 

Brazil buys most of its imported wheat from Argentina, and some from Uruguay and Paraguay, without paying tariffs because they are all members of the Mercosur South American customs union. Imports from other countries pay a 10 percent tariff. 

The Brazilian official, who asked not to be named so he could speak freely, said the wheat quota could be sealed during a meeting between Brazil’s Agriculture Minister Teresa Cristina Dias and U.S. Secretary of Agriculture Sonny Perdue on Tuesday. 

In return, the Brazilian government is hoping to see movement toward the reopening of the U.S. market to fresh beef imports from Brazil that was shut down after a meatpacking industry scandal involving bribed inspectors. 

Brazil is also seeking U.S. market access for its exports of limes that are facing phytosanitary certification hurdles. 

The world’s largest sugar producer also wants tariff-free access to the U.S. market. But Washington is not expected to budge on that issue until Brazil lifts a tariff it slapped on ethanol imports when they exceed 150 million liters in a quarter. 

That is a major demand by U.S. biofuels producers, who are the main suppliers of ethanol imported by Brazil. 
…

From: MeNeedIt

Brazil is considering granting an import quota of 750,000 metric tons of U.S. wheat per year without tariffs in exchange for other trade concessions, according to a Brazilian official with knowledge of the negotiations ahead of President Jair Bolsonaro’s visit to Washington. 

That is about 10 percent of Brazilian annual wheat imports and is part of a two-decade-old commitment to import 750,000 metric tons of wheat a year free of tariffs that Brazil made — but never kept — during the World Trade Organization’s Uruguay Round of talks on agriculture. 

Bolsonaro is scheduled to arrive in Washington on Sunday and meet with U.S. President Donald Trump at the White House on Tuesday.

Farm state senators have asked that wheat sales be on the agenda, in a letter to Trump seen by Reuters. They estimate such a quota would increase U.S. wheat sales by between $75 million and $120 million a year. 

Brazil buys most of its imported wheat from Argentina, and some from Uruguay and Paraguay, without paying tariffs because they are all members of the Mercosur South American customs union. Imports from other countries pay a 10 percent tariff. 

The Brazilian official, who asked not to be named so he could speak freely, said the wheat quota could be sealed during a meeting between Brazil’s Agriculture Minister Teresa Cristina Dias and U.S. Secretary of Agriculture Sonny Perdue on Tuesday. 

In return, the Brazilian government is hoping to see movement toward the reopening of the U.S. market to fresh beef imports from Brazil that was shut down after a meatpacking industry scandal involving bribed inspectors. 

Brazil is also seeking U.S. market access for its exports of limes that are facing phytosanitary certification hurdles. 

The world’s largest sugar producer also wants tariff-free access to the U.S. market. But Washington is not expected to budge on that issue until Brazil lifts a tariff it slapped on ethanol imports when they exceed 150 million liters in a quarter. 

That is a major demand by U.S. biofuels producers, who are the main suppliers of ethanol imported by Brazil. 
…

From: MeNeedIt

Iranian Oil Minister Bijan Zanganeh said on Saturday that frequent U.S. comments about oil prices had created market tensions, the ministry’s news website SHANA reported. 

U.S. President Donald Trump, who has made the U.S. economy one of his top issues, has repeatedly tweeted about oil prices and the Organization of the Petroleum Producing Countries. He has expressed concern about higher prices, including last month and ahead of OPEC’s meeting in December.

“Americans talk a lot and I advise them to talk less. They [have] caused tensions in the oil market for over a year now, and they are responsible for it, and if this trend continues, the market will be more tense,” SHANA quoted Zanganeh as saying. 

U.S. crude futures briefly hit a 2019 high on Friday but later retreated along with benchmark Brent oil as worries about the global economy and robust U.S. production put a brake on prices. 

OPEC and its allies including Russia, an alliance known as OPEC+, agreed last year to cut production, partly in response to increased U.S. shale output.

Washington granted waivers to eight major buyers of Iranian oil after the U.S. reimposed sanctions on Iran’s oil sector in November, after withdrawing from the 2015 Iran nuclear deal. 

“We do not know whether U.S. waivers would be extended or not. We will do our job but they [the U.S.] say something new every single day,” Zanganeh said. 

South Pars

Zanganeh was speaking at a news conference ahead of the planned inauguration on Sunday of four development phases at South Pars, the world’s largest gas field, by President Hassan Rouhani. 

He said Iran had invested $11 billion to complete the phases 13 and 22-24 of the giant field, which Tehran shares with Qatar, and expected to operate 27 phases by next March, SHANA reported. 

France’s Total and China National Petroleum Corp suspended investment in phase 11 of South Pars last year after the United States threatened to impose sanctions on companies that do business in Iran. 

But Zanganeh said talks with CNPC were continuing. 

“Negotiations are ongoing. A senior delegation from China is due to come to Iran for talks. They have promised to come to Iran soon,” said Zanganeh, according to the semiofficial news agency ISNA. 
…

From: MeNeedIt

A Pakistani immigrant who came to the U.S. as an impoverished young adult now helps feed the homeless and needy in his popular Washington restaurant. As a Muslim American, he says he’s simply heeding the will of God; to serve his fellow men with what he has. Which in his case is food, and so much more. VOA’s Julie Taboh has his story.
…

From: MeNeedIt