Nations racing to develop 5G technology that is fast enough to power the next stage of innovation range from South Korea to Finland, but a young contender wants to jump into the game: Vietnam.

The Southeast Asian country announced with much fanfare this month that a test of fifth generation telecommunications technology, in the form of a phone call, was successful.

The call to test 5G matters, not just for the internet, but for Vietnam’s goal of building a digital economy.

That future economy could be filled with deliveries by drone, machine learning to detect cyber attacks, and digital health records — or the economy could stick to traditional businesses like agriculture and tourism, as a new government report lays out.

Vietnam’s Ministry of Science and Technology jointly launched a report on the digital economy with its Australian counterpart Wednesday, laying out four possible scenarios. Each scenario is at a different level of digitalization, depending on how thoroughly Vietnam adopts new technology.

“I request industries and provinces to improve their awareness of, and responsibility in, steering the science and technology development, and continue to strengthen the relevant legal and policy framework,” Prime Minister Nguyen Xuan Phuc said in a speech.

“It is critical to focus on the development of the national innovation system,” he added, “putting the businesses at the heart of this system while promoting the linkages among research institutes, universities, and businesses to create and accumulate intellectual assets to fuel economic development in a rapid, inclusive, and sustainable manner.”

In the report titled “Vietnam’s Future Digital Economy: Toward 2030 and 2045,” the four scenarios offer a blueprint for policymakers.

In the first option, the country reaches its full technological potential in the next two decades, with smart cities, high productivity, and high-skilled talent in an economy geared toward services.

In the second scenario, little has changed in that time, with the economy relying on cash and low-wage labor to export farmed goods and natural resources.

Those are the two extremes, while the two remaining scenarios fall somewhere in between, depending on whether Vietnam is more technology consumer or exporter.

“The next wave of digital technologies — artificial intelligence, blockchain, the internet of things, and platforms and cloud-based services — has the potential to transform Vietnam into Asia’s next high-performing economy,” said Lucy Cameron, the lead author of the report. “Vietnam will need to seize these substantial opportunities while carefully navigating a number of risks.”

There are signs the digital technology is already catching on in Vietnam.

Besides the research and development of 5G, companies are using robots in their warehouses, like the country’s largest dairy, Vinamilk, and DB Schenker, a German logistics firm operating in Vietnam. FPT, a domestic electronics business, used artificial intelligence to create a chat bot and made it available to third-party software developers. The gaming startup VNG is introducing virtual reality to its players.

It is not all good news. The rise of ride-hailing apps has been linked to a drop in the use of public transit around the world, and that is happening in Vietnam, too. Local press recently reported a decline in bus use, while the increase of ride hailing has led to clogged city streets.

Even in a best case scenario, there are four potential drawbacks to an increasingly connected Vietnam, according to the report, which is supported by CSIRO’s Data61, the data and digital specialist arm of Australia’s national science agency. They include more threats to cyber security, higher borrowing to fund infrastructure and technological spending, a shortage of technical talent, and reliance on external companies for products and services.

How far Vietnam takes its technological evolution, of course, is up to Vietnam.
…

From: MeNeedIt

Nations racing to develop 5G technology that is fast enough to power the next stage of innovation range from South Korea to Finland, but a young contender wants to jump into the game: Vietnam.

The Southeast Asian country announced with much fanfare this month that a test of fifth generation telecommunications technology, in the form of a phone call, was successful.

The call to test 5G matters, not just for the internet, but for Vietnam’s goal of building a digital economy.

That future economy could be filled with deliveries by drone, machine learning to detect cyber attacks, and digital health records — or the economy could stick to traditional businesses like agriculture and tourism, as a new government report lays out.

Vietnam’s Ministry of Science and Technology jointly launched a report on the digital economy with its Australian counterpart Wednesday, laying out four possible scenarios. Each scenario is at a different level of digitalization, depending on how thoroughly Vietnam adopts new technology.

“I request industries and provinces to improve their awareness of, and responsibility in, steering the science and technology development, and continue to strengthen the relevant legal and policy framework,” Prime Minister Nguyen Xuan Phuc said in a speech.

“It is critical to focus on the development of the national innovation system,” he added, “putting the businesses at the heart of this system while promoting the linkages among research institutes, universities, and businesses to create and accumulate intellectual assets to fuel economic development in a rapid, inclusive, and sustainable manner.”

In the report titled “Vietnam’s Future Digital Economy: Toward 2030 and 2045,” the four scenarios offer a blueprint for policymakers.

In the first option, the country reaches its full technological potential in the next two decades, with smart cities, high productivity, and high-skilled talent in an economy geared toward services.

In the second scenario, little has changed in that time, with the economy relying on cash and low-wage labor to export farmed goods and natural resources.

Those are the two extremes, while the two remaining scenarios fall somewhere in between, depending on whether Vietnam is more technology consumer or exporter.

“The next wave of digital technologies — artificial intelligence, blockchain, the internet of things, and platforms and cloud-based services — has the potential to transform Vietnam into Asia’s next high-performing economy,” said Lucy Cameron, the lead author of the report. “Vietnam will need to seize these substantial opportunities while carefully navigating a number of risks.”

There are signs the digital technology is already catching on in Vietnam.

Besides the research and development of 5G, companies are using robots in their warehouses, like the country’s largest dairy, Vinamilk, and DB Schenker, a German logistics firm operating in Vietnam. FPT, a domestic electronics business, used artificial intelligence to create a chat bot and made it available to third-party software developers. The gaming startup VNG is introducing virtual reality to its players.

It is not all good news. The rise of ride-hailing apps has been linked to a drop in the use of public transit around the world, and that is happening in Vietnam, too. Local press recently reported a decline in bus use, while the increase of ride hailing has led to clogged city streets.

Even in a best case scenario, there are four potential drawbacks to an increasingly connected Vietnam, according to the report, which is supported by CSIRO’s Data61, the data and digital specialist arm of Australia’s national science agency. They include more threats to cyber security, higher borrowing to fund infrastructure and technological spending, a shortage of technical talent, and reliance on external companies for products and services.

How far Vietnam takes its technological evolution, of course, is up to Vietnam.
…

From: MeNeedIt

Scientists say they have new ways of tracking where clothing, medicines and other items are made, making it harder for unscrupulous businesses to sell items that don’t work or violate laws. The new tools are made possible by using machine learning to profile the unique DNA combinations of invisible microbes that vary from place to place. This technology was highlighted at the Milken Institute Global Conference in Los Angeles, as VOA’s Elizabeth Lee reports.
…

From: MeNeedIt

Wildfires are often discovered by aircraft pilots, drivers or spotters in observation towers. Increasingly, remote sensors — on the ground, in the air and on board satellites — are alerting authorities when fires break out, and experts say technology will increasingly be a part of the future of firefighting.

A blaze that raged last August in a canyon near Los Angeles threatened vital communications links. Remote cameras gave firefighters crucial information to save the installations, said Troy Whitman of Southern California Edison, an electric utility company. 

Whitman serves as a liaison with firefighting agencies, and he shares information from a new camera network that Edison installed throughout much of its service area. Those 13 million hectares are challenging, he said, “mountains, deserts, very remote areas where fires may not be detected for minutes, sometimes even days in the forest if it’s a lightning strike.”

Electronic lookouts

More than 100 cameras provide a view of 60 percent of the company’s service area in Southern and Central California. More cameras are on their way, all monitored in an operations center in suburban Los Angeles, where remote spotters watch computer monitors and meteorologists track weather data from remote sensing stations.

Fires up and down the U.S. West Coast are getting fiercer, and 10 of California’s 20 most destructive blazes have occurred since 2015.

A California report last month, “Wildfires and Climate Change,” said the state’s fire season has become nearly year-round, and one-quarter of the California’s population lives in fire-prone areas. 

“Climate is changing,” said Brian Chen, who manages Edison’s wildfire mitigation efforts. “We’ve had many years of drought leading up to this, which has caused millions of trees across the state to die or be weakened because of disease,” he added. “We’ve also had a history of fire suppression policy, which has not kept our forests healthy,” he said.

More residents are also living closer to wilderness areas, in places like Paradise, a once idyllic northern California town destroyed by wildfire in November. At least 85 people died and 14,000 homes were destroyed by the so-called Camp Fire, which investigators announced Wednesday was sparked by the transmission lines of another utility, Pacific Gas and Electric.

At least half of the state’s most destructive 20 fires have been caused by power lines or electrical equipment, and spread because they started in isolated areas that were difficult for firefighters to reach. California fire officials say electrical mishaps account for a smaller proportion of all wildfires, and blame others on careless debris burning, out-of-control campfires, arson or smoking.

Southern California Edison is upgrading its infrastructure, replacing bare transmission lines with insulated cables. Pacific Gas and Electric also plans to install new cameras and weather stations. Both companies face lawsuits over recent wildfires, and Pacific Gas and Electric filed for bankruptcy in January, facing billions of dollars in claims.

Destructive fires are also tracked by NASA, the U.S. space agency, which also monitors the health of our planet using “aircraft observations … from manned aircraft and unmanned aircraft,” said Vince Ambrosia of NASA’s Ames Research Center in Mountain View, California. He says the main focus today, however, is on satellite data retrieved by NASA and its partners, including the European Space Agency, and shared with the public and global firefighters. 

The information helps before, during and after a wildfire.

“We can do active fire detection,” said Natasha Stavros of NASA’s Jet Propulsion Laboratory in Pasadena, California. “We can also do observations of the type of vegetation that’s there,” she said, assessing moisture content and how readily vegetation will burn.

She says an instrument called GEDI has been sent to the International Space Station to measure levels of biomass, the trees and brush that provide fuel for fires, by monitoring how forests store and release carbon. Other satellites track the height of flames and the spread of smoke and other pollutants.

Airborne and space-based sensors provide real-time data, and NASA and its partner agencies have built a “long-term collection library … going back to the 1980s to look at transitioning stages of wildfires throughout our last 50 years or so,” Ambrosia said.

Experts say that fire is part of nature’s ecosystem, but fire season is getting longer and fires more intense, and remote sensing helps firefighters deal with the challenge. The last month’s California report on wildfires recommends increased use of advanced imaging from the air and space, artificial intelligence to enhance data analysis, and a more comprehensive approach to fire prevention and response.
…

From: MeNeedIt

Wildfires are often discovered by aircraft pilots, drivers or spotters in observation towers. Increasingly, remote sensors — on the ground, in the air and on board satellites — are alerting authorities when fires break out, and experts say technology will increasingly be a part of the future of firefighting.

A blaze that raged last August in a canyon near Los Angeles threatened vital communications links. Remote cameras gave firefighters crucial information to save the installations, said Troy Whitman of Southern California Edison, an electric utility company. 

Whitman serves as a liaison with firefighting agencies, and he shares information from a new camera network that Edison installed throughout much of its service area. Those 13 million hectares are challenging, he said, “mountains, deserts, very remote areas where fires may not be detected for minutes, sometimes even days in the forest if it’s a lightning strike.”

Electronic lookouts

More than 100 cameras provide a view of 60 percent of the company’s service area in Southern and Central California. More cameras are on their way, all monitored in an operations center in suburban Los Angeles, where remote spotters watch computer monitors and meteorologists track weather data from remote sensing stations.

Fires up and down the U.S. West Coast are getting fiercer, and 10 of California’s 20 most destructive blazes have occurred since 2015.

A California report last month, “Wildfires and Climate Change,” said the state’s fire season has become nearly year-round, and one-quarter of the California’s population lives in fire-prone areas. 

“Climate is changing,” said Brian Chen, who manages Edison’s wildfire mitigation efforts. “We’ve had many years of drought leading up to this, which has caused millions of trees across the state to die or be weakened because of disease,” he added. “We’ve also had a history of fire suppression policy, which has not kept our forests healthy,” he said.

More residents are also living closer to wilderness areas, in places like Paradise, a once idyllic northern California town destroyed by wildfire in November. At least 85 people died and 14,000 homes were destroyed by the so-called Camp Fire, which investigators announced Wednesday was sparked by the transmission lines of another utility, Pacific Gas and Electric.

At least half of the state’s most destructive 20 fires have been caused by power lines or electrical equipment, and spread because they started in isolated areas that were difficult for firefighters to reach. California fire officials say electrical mishaps account for a smaller proportion of all wildfires, and blame others on careless debris burning, out-of-control campfires, arson or smoking.

Southern California Edison is upgrading its infrastructure, replacing bare transmission lines with insulated cables. Pacific Gas and Electric also plans to install new cameras and weather stations. Both companies face lawsuits over recent wildfires, and Pacific Gas and Electric filed for bankruptcy in January, facing billions of dollars in claims.

Destructive fires are also tracked by NASA, the U.S. space agency, which also monitors the health of our planet using “aircraft observations … from manned aircraft and unmanned aircraft,” said Vince Ambrosia of NASA’s Ames Research Center in Mountain View, California. He says the main focus today, however, is on satellite data retrieved by NASA and its partners, including the European Space Agency, and shared with the public and global firefighters. 

The information helps before, during and after a wildfire.

“We can do active fire detection,” said Natasha Stavros of NASA’s Jet Propulsion Laboratory in Pasadena, California. “We can also do observations of the type of vegetation that’s there,” she said, assessing moisture content and how readily vegetation will burn.

She says an instrument called GEDI has been sent to the International Space Station to measure levels of biomass, the trees and brush that provide fuel for fires, by monitoring how forests store and release carbon. Other satellites track the height of flames and the spread of smoke and other pollutants.

Airborne and space-based sensors provide real-time data, and NASA and its partner agencies have built a “long-term collection library … going back to the 1980s to look at transitioning stages of wildfires throughout our last 50 years or so,” Ambrosia said.

Experts say that fire is part of nature’s ecosystem, but fire season is getting longer and fires more intense, and remote sensing helps firefighters deal with the challenge. The last month’s California report on wildfires recommends increased use of advanced imaging from the air and space, artificial intelligence to enhance data analysis, and a more comprehensive approach to fire prevention and response.
…

From: MeNeedIt

Wildfires are often discovered by aircraft pilots, drivers or spotters in observation towers but also increasingly by remote sensors, which alert authorities to fire outbreaks. Mike O’Sullivan reports from Los Angeles that a new ground-based camera system and satellites in space are helping firefighters to monitor wildfires.
…

From: MeNeedIt

Wildfires are often discovered by aircraft pilots, drivers or spotters in observation towers but also increasingly by remote sensors, which alert authorities to fire outbreaks. Mike O’Sullivan reports from Los Angeles that a new ground-based camera system and satellites in space are helping firefighters to monitor wildfires.
…

From: MeNeedIt

Herman Wouk, the versatile, Pulitzer Prize winning author of such million-selling novels as “The Caine Mutiny” and “The Winds of War” whose steady Jewish faith inspired his stories of religious values and secular success, died on Friday at 103.

Wouk was just 10 days shy of his 104th birthday and was working on a book until the end, said his literary agent Amy Rennert.

Rennert said Wouk died in his sleep at his home in Palm Springs, California, where he settled after spending many years in Washington, D.C.

Among the last of the major writers to emerge after World War II and first to bring Jewish stories to a general audience, he had a long, unpredictable career that included gag writing for radio star Fred Allen, historical fiction and a musical co-written with Jimmy Buffett.

He won the Pulitzer in 1952 for “The Caine Mutiny,” the classic Navy drama that made the unstable Captain Queeg, with the metal balls he rolls in his hand and his talk of stolen strawberries, a symbol of authority gone mad. A film adaptation, starring Humphrey Bogart, came out in 1954 and Wouk turned the courtroom scene into the play “The Caine Mutiny Court-Martial.”

Other highlights included “Don’t Stop the Carnival,” which Wouk and Buffett adapted into a musical, and his two-part World War II epic, “The Winds of War” and “War and Remembrance,” both of which Wouk himself adapted for a 1983, Emmy Award-winning TV miniseries starring Robert Mitchum. “The Winds of War” received some of the highest ratings in TV history and Wouk’s involvement covered everything from the script to commercial sponsors.

Wouk (pronounced WOKE) was an outsider in the literary world. From Ernest Hemingway to James Joyce, major authors of the 20th century were assumed either anti-religious or at least highly skeptical. But Wouk was part of a smaller group that included C.S. Lewis, Chaim Potok and Flannery O’Connor who openly maintained traditional beliefs. One of his most influential books was “This Is My God,” published in 1959 and an even-handed but firm defense of Judaism.

For much of his life, he studied the Talmud daily and led a weekly Talmud class. He gave speeches and sermons around the country and received several prizes, including a lifetime achievement award from the Jewish Book Council. During his years in Washington, the Georgetown synagogue he attended was known unofficially as “Herman Wouk’s synagogue.”

Jews were present in most of Wouk’s books. “Marjorie Morningstar,” published in 1955, was one of the first million-selling novels about Jewish life, and two novels, “The Hope” and “The Glory,” were set in Israel.

Wouk had a mixed reputation among critics. He was not a poet or social rebel, and shared none of the demons that inspired the mad comedy of Philip Roth’s “Portnoy’s Complaint.” Even anthologies of Jewish literature tended to exclude him. Gore Vidal praised him, faintly, by observing that Wouk’s “competence is most impressive and his professionalism awe-inspiring in a world of lazy writers and TV-stunned readers.”

But Wouk was widely appreciated for the uncanniness of his historical detail, and he had an enviably large readership that stayed with him through several long novels. His friends and admirers ranged from Israeli Prime Ministers David Ben-Gurion and Yitzhak Rabin to Nobel laureates Saul Bellow and Elie Wiesel. President Ronald Reagan, in a 1987 speech honoring 37 sailors killed on the USS Stark, quoted Wouk: “Heroes are not supermen; they are good men who embody — by the cast of destiny — the virtue of their whole people in a great hour.”

Wouk was well remembered in his latter years. In 1995, the Library of Congress marked his 80th birthday with a symposium on his career; historians David McCullough, Robert Caro, Daniel Boorstin and others were present. In 2008, Wouk received the first ever Library of Congress Award for Lifetime Achievement in the Writing of Fiction. He published the novel “The Lawgiver” in his 90s and at age 100 completed a memoir. Wouk’s longevity inspired Stephen King to title one story “Herman Wouk is Still Alive.”

 The son of Russian Jews, Wouk was born in New York in 1915. The household was religious — his mother was a rabbi’s daughter — and devoted to books. His father would read to him from Sholem Aleichem, the great Yiddish writer. A traveling salesman sold his family the entire works of Mark Twain, who became Wouk’s favorite writer, no matter how irreverent on matters of faith.

“I found it all very stimulating,” Wouk, in a rare interview, told The Associated Press in 2000. “His work is impregnated with references to the Bible. He may be scathing about it, but they’re there. He’s making jokes about religion, but the Jews are always making jokes about it.”

Wouk majored in comparative literature and philosophy at Columbia University and edited the college’s humor magazine. After graduation, he followed the path of so many bright, clever New Yorkers in the 1930s: He headed for California, where he worked for five years on Fred Allen’s radio show.

If war had not intruded, he might have stuck to comedy sketches. After the bombing of Pearl Harbor he enlisted in the Navy and served as an officer in the Pacific. There, he received the writer’s most precious gift, free time, and wrote what became his first published novel, the radio satire “Aurora Dawn.”

“I was just having fun. It had never occurred to me write a novel,” he said.

By the time “Aurora Dawn” came out, in 1947, Wouk was married and living in New York. His novel was a Book-of-the-Month Club selection and he would soon publish “City Boy,” a coming-of-age story highly influenced by Twain.

In 1951, Wouk released his most celebrated novel, “The Caine Mutiny.” It sold slowly at first but eventually topped best-seller lists and won a Pulitzer. For a time, Wouk was compared to other World War II novelists: Norman Mailer, Irwin Shaw, James Jones.

But his next book looked into domestic matters. Wouk spoke often of his concern about assimilation and this story told of an aspiring Jewish actress whose real name was Marjorie Morgenstern. Her stage name provided the novel’s title, “Marjorie Morningstar.”

“My agent was absolutely appalled,” Wouk said. “He submitted it to the editor of a women’s magazine and the editor said, `Herman Wouk has destroyed himself. He’s a man who writes big, sweeping dramas about men in action. Then he writes about this girl and nothing happens. He should burn this book and forget it.”‘

But like “The Caine Mutiny,” the novel sold millions and was made into a movie, starring Natalie Wood. (Wouk eventually bought Wood’s former home in Palm Springs). He was famous enough to appear on the cover of Time magazine, even as some Jews complained his book perpetuated stereotypes and critics complained he was too old-fashioned, too accepting of authority.

Captain Queeg, for example, may be a villain in popular culture, but “The Caine Mutiny” was not “Catch-22.” Wouk was just as hard on the officers who rebelled against Queeg. The “crux” of the story, Wouk wrote in his journal, was that the “mutiny was a mistake” and the crew should have stood by its leader, however flawed.

Over the years, Wouk responded to criticism in two ways: He didn’t judge the characters in his stories, but tried to tell the truth; and whether he really challenged authority depended on what you thought needed challenging.

He believed that among writers, anti-conformity was a kind of conformity. “It seems curious,” he wrote in “Aurora Dawn,” “that life `as it really is,’ according to modern inspiration, contains a surprising amount of fornication, violence, vulgarity, unpleasant individuals, blasphemy, hatred, and ladies’ underclothes.”

Wouk knew others didn’t share his views. Both “This Is My God” and “The Will to Live On” took a similar approach to “Mere Christianity” and other works by C.S. Lewis. They preached not to the converted, but to the curious. They anticipated arguments about religion and tried their best to answer them.

His books followed no proven formula. They were all personal, from the works on religion to “Inside, Outside,” an autobiographical novel he considered his favorite.

“I’m not out front as a figure, and that suits me,” he told the AP. “I love the work and it’s the greatest possible privilege to say, `Here are these books that exist because I had to write them.’ The fact that they were well received is just wonderful.”

In 1945, Wouk married Betty Sarah Brown, who also served as his agent. They had three sons — Nathaniel, Joseph and their eldest, Abraham, who drowned in 1951, a death that left Wouk with “the tears of the scar of a senseless waste.”
…

From: MeNeedIt

As anticipation builds for the next-generation mobile communications or 5G, security has become a heated topic. The U.S. government has launched an unprecedented campaign urging countries to ban one of the key makers of equipment for the new network, China-based telecom titan Huawei. But Huawei is vowing to refuse to assist any country in spying and even claims it would rather go out of business. VOA’s Bill Ide recently visited the company’s headquarters in China’s southern city of Shenzhen.
…

From: MeNeedIt

As anticipation builds for the next-generation mobile communications or 5G, security has become a heated topic. The U.S. government has launched an unprecedented campaign urging countries to ban one of the key makers of equipment for the new network, China-based telecom titan Huawei. But Huawei is vowing to refuse to assist any country in spying and even claims it would rather go out of business. VOA’s Bill Ide recently visited the company’s headquarters in China’s southern city of Shenzhen.
…

From: MeNeedIt

I.M. Pei, the versatile, globe-trotting architect who revived the Louvre with a giant glass pyramid and captured the spirit of rebellion at the multi-shaped Rock and Roll Hall of Fame, has died at age 102.

Pei’s death was confirmed Thursday by Marc Diamond, a spokesman for Pei’s New York architectural firm, Pei Cobb Freed & Partners.

Pei’s works ranged from the trapezoidal addition to the National Gallery of Art in Washington, D.C., to the chiseled towers of the National Center of Atmospheric Research that blend in with the reddish mountains in Boulder, Colorado.

His buildings added elegance to landscapes worldwide with their powerful geometric shapes and grand spaces. Among them are the striking steel and glass Bank of China skyscraper in Hong Kong and the Fragrant Hill Hotel near Beijing. His work spanned decades, starting in the late 1940s and continuing through the new millennium. Two of his last major projects, the Museum of Islamic Art, located on an artificial island just off the waterfront in Doha, Qatar, and the Macau Science Center, in China, opened in 2008 and 2009.

Pei painstakingly researched each project, studying its use and relating it to the environment. But he also was interested in architecture as art — and the effect he could create.

“At one level my goal is simply to give people pleasure in being in a space and walking around it,” he said. “But I also think architecture can reach a level where it influences people to want to do something more with their lives. That is the challenge that I find most interesting.”

Pei, who as a schoolboy in Shanghai was inspired by its building boom in the 1930s, immigrated to the United States and studied architecture at the Massachusetts Institute of Technology and Harvard University. He advanced from his early work of designing office buildings, low-income housing and mixed-used complexes to a worldwide collection of museums, municipal buildings and hotels.

He fell into a modernist style blending elegance and technology, creating crisp, precise buildings.

His big break was in 1964, when he was chosen over many prestigious architects, such as Louis Kahn and Ludwig Mies van der Rohe, to design the John F. Kennedy Memorial Library in Boston.

At the time, Jacqueline Kennedy said all the candidates were excellent, “But Pei! He loves things to be beautiful.” The two became friends.

A slight, unpretentious man, Pei developed a reputation as a skilled diplomat, persuading clients to spend the money for his grand-scale projects and working with a cast of engineers and developers.

Some of his designs were met with much controversy, such as the 71-foot faceted glass pyramid in the courtyard of the Louvre museum in Paris. French President Francois Mitterrand, who personally selected Pei to oversee the decaying, overcrowded museum’s renovation, endured a barrage of criticism when he unveiled the plan in 1984.

Many of the French vehemently opposed such a change to their symbol of their culture, once a medieval fortress and then a national palace. Some resented that Pei, a foreigner, was in charge.

But Mitterrand and his supporters prevailed and the pyramid was finished in 1989. It serves as the Louvre’s entrance, and a staircase leads visitors down to a vast, light-drenched lobby featuring ticket windows, shops, restaurants, an auditorium and escalators to other parts of the vast museum.

“All through the centuries, the Louvre has undergone violent change,” Pei said. “The time had to be right. I was confident because this was the right time.”

Another building designed by Pei’s firm — the John Hancock Tower in Boston — had a questionable future in the early 1970s when dozens of windows cracked and popped out, sending glass crashing to the sidewalks, during the time the building was under construction.

A flurry of lawsuits followed among the John Hancock Mutual Life Insurance Co., the glass manufacturer, and Pei’s firm. A settlement was reached in 1981.

No challenge seemed to be too great for Pei, including the Rock and Roll Hall of Fame, which sits on the shore of Lake Erie in downtown Cleveland, Ohio. Pei, who admitted he was just catching up with the Beatles, researched the roots of rock `n’ roll and came up with an array of contrasting shapes for the museum. He topped it off with a transparent tent-like structure, which was “open — like the music,” he said.

In 1988, President Reagan honored him with a National Medal of Arts. He also won the prestigious Pritzker Architecture Prize, 1983, and the American Institute of Architects Gold Medal, 1979. President George H.W. Bush awarded him the Presidential Medal of Freedom in 1992.

Pei officially retired in 1990 but continued to work on projects. Two of his sons, Chien Chung Pei and Li Chung Pei, former members of their father’s firm, formed Pei Partnership Archiitects in 1992. Their father’s firm, previously I.M. Pei and Partners, was renamed Pei Cobb Freed & Partners.

The museum in Qatar that opened in 2008 was inspired by Islamic architectural history, especially the 9th century mosque of Ahmed ibn Tulun in the Egyptian capital of Cairo. It was established by the tiny, oil-rich nation to compete with rival Persian Gulf countries for international attention and investment.

Ieoh Ming Pei (pronounced YEE-oh ming pay) was born April 26, 1917, in Canton, China, the son of a banker. He later said, “I did not know what architecture really was in China. At that time, there was no difference between an architect, a construction man, or an engineer.”

Pei came to the United States in 1935 with plans to study architecture, then return to practice in China. However, World War II and the revolution in China prevented him from coming back.

During the war, Pei worked for the National Defense Research Committee. As an “expert” in Japanese construction, his job was to determine the best way to burn down Japanese towns. “It was awful,” he later said.

In 1948, New York City real estate developer William Zeckendorf hired Pei as his director of architecture. During this period, Pei worked on many large urban projects and gained experience in areas of building development, economics and construction.

Some of his early successes included the Mile High Center office building in Denver, the Kips Bay Plaza Apartments in Manhattan, and the Society Hill apartment complex in Philadelphia.

Pei established his own architectural firm in 1955, a year after he became a U.S. citizen. He remained based in New York City. Among the firm’s accomplishments are the Jacob Javits Convention Center in New York City and the United States Holocaust Memorial Museum in Washington.

Pei’s wife, Eileen, who he married in 1942, died in 2014. A son, T’ing Chung, died in 2003. Besides sons Chien Chung Pei and Li Chung Pei, he is survived by a daughter, Liane.
…

From: MeNeedIt

I.M. Pei, the versatile, globe-trotting architect who revived the Louvre with a giant glass pyramid and captured the spirit of rebellion at the multi-shaped Rock and Roll Hall of Fame, has died at age 102.

Pei’s death was confirmed Thursday by Marc Diamond, a spokesman for Pei’s New York architectural firm, Pei Cobb Freed & Partners.

Pei’s works ranged from the trapezoidal addition to the National Gallery of Art in Washington, D.C., to the chiseled towers of the National Center of Atmospheric Research that blend in with the reddish mountains in Boulder, Colorado.

His buildings added elegance to landscapes worldwide with their powerful geometric shapes and grand spaces. Among them are the striking steel and glass Bank of China skyscraper in Hong Kong and the Fragrant Hill Hotel near Beijing. His work spanned decades, starting in the late 1940s and continuing through the new millennium. Two of his last major projects, the Museum of Islamic Art, located on an artificial island just off the waterfront in Doha, Qatar, and the Macau Science Center, in China, opened in 2008 and 2009.

Pei painstakingly researched each project, studying its use and relating it to the environment. But he also was interested in architecture as art — and the effect he could create.

“At one level my goal is simply to give people pleasure in being in a space and walking around it,” he said. “But I also think architecture can reach a level where it influences people to want to do something more with their lives. That is the challenge that I find most interesting.”

Pei, who as a schoolboy in Shanghai was inspired by its building boom in the 1930s, immigrated to the United States and studied architecture at the Massachusetts Institute of Technology and Harvard University. He advanced from his early work of designing office buildings, low-income housing and mixed-used complexes to a worldwide collection of museums, municipal buildings and hotels.

He fell into a modernist style blending elegance and technology, creating crisp, precise buildings.

His big break was in 1964, when he was chosen over many prestigious architects, such as Louis Kahn and Ludwig Mies van der Rohe, to design the John F. Kennedy Memorial Library in Boston.

At the time, Jacqueline Kennedy said all the candidates were excellent, “But Pei! He loves things to be beautiful.” The two became friends.

A slight, unpretentious man, Pei developed a reputation as a skilled diplomat, persuading clients to spend the money for his grand-scale projects and working with a cast of engineers and developers.

Some of his designs were met with much controversy, such as the 71-foot faceted glass pyramid in the courtyard of the Louvre museum in Paris. French President Francois Mitterrand, who personally selected Pei to oversee the decaying, overcrowded museum’s renovation, endured a barrage of criticism when he unveiled the plan in 1984.

Many of the French vehemently opposed such a change to their symbol of their culture, once a medieval fortress and then a national palace. Some resented that Pei, a foreigner, was in charge.

But Mitterrand and his supporters prevailed and the pyramid was finished in 1989. It serves as the Louvre’s entrance, and a staircase leads visitors down to a vast, light-drenched lobby featuring ticket windows, shops, restaurants, an auditorium and escalators to other parts of the vast museum.

“All through the centuries, the Louvre has undergone violent change,” Pei said. “The time had to be right. I was confident because this was the right time.”

Another building designed by Pei’s firm — the John Hancock Tower in Boston — had a questionable future in the early 1970s when dozens of windows cracked and popped out, sending glass crashing to the sidewalks, during the time the building was under construction.

A flurry of lawsuits followed among the John Hancock Mutual Life Insurance Co., the glass manufacturer, and Pei’s firm. A settlement was reached in 1981.

No challenge seemed to be too great for Pei, including the Rock and Roll Hall of Fame, which sits on the shore of Lake Erie in downtown Cleveland, Ohio. Pei, who admitted he was just catching up with the Beatles, researched the roots of rock `n’ roll and came up with an array of contrasting shapes for the museum. He topped it off with a transparent tent-like structure, which was “open — like the music,” he said.

In 1988, President Reagan honored him with a National Medal of Arts. He also won the prestigious Pritzker Architecture Prize, 1983, and the American Institute of Architects Gold Medal, 1979. President George H.W. Bush awarded him the Presidential Medal of Freedom in 1992.

Pei officially retired in 1990 but continued to work on projects. Two of his sons, Chien Chung Pei and Li Chung Pei, former members of their father’s firm, formed Pei Partnership Archiitects in 1992. Their father’s firm, previously I.M. Pei and Partners, was renamed Pei Cobb Freed & Partners.

The museum in Qatar that opened in 2008 was inspired by Islamic architectural history, especially the 9th century mosque of Ahmed ibn Tulun in the Egyptian capital of Cairo. It was established by the tiny, oil-rich nation to compete with rival Persian Gulf countries for international attention and investment.

Ieoh Ming Pei (pronounced YEE-oh ming pay) was born April 26, 1917, in Canton, China, the son of a banker. He later said, “I did not know what architecture really was in China. At that time, there was no difference between an architect, a construction man, or an engineer.”

Pei came to the United States in 1935 with plans to study architecture, then return to practice in China. However, World War II and the revolution in China prevented him from coming back.

During the war, Pei worked for the National Defense Research Committee. As an “expert” in Japanese construction, his job was to determine the best way to burn down Japanese towns. “It was awful,” he later said.

In 1948, New York City real estate developer William Zeckendorf hired Pei as his director of architecture. During this period, Pei worked on many large urban projects and gained experience in areas of building development, economics and construction.

Some of his early successes included the Mile High Center office building in Denver, the Kips Bay Plaza Apartments in Manhattan, and the Society Hill apartment complex in Philadelphia.

Pei established his own architectural firm in 1955, a year after he became a U.S. citizen. He remained based in New York City. Among the firm’s accomplishments are the Jacob Javits Convention Center in New York City and the United States Holocaust Memorial Museum in Washington.

Pei’s wife, Eileen, who he married in 1942, died in 2014. A son, T’ing Chung, died in 2003. Besides sons Chien Chung Pei and Li Chung Pei, he is survived by a daughter, Liane.
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From: MeNeedIt